After a few years I still lean heavily toward Bill Evans. The intensity of his music usually matches my sweet-spot, and I get the sense that my personality would jive with his. Most of his stuff just seems to reflect my mood, most of the time.
When I want to step it up a notch I also listen to Oscar Peterson, when I'm in more of a party, less reflective mood.
In terms of classical pianists I find it harder to distinguish between them, but I find myself listening to a lot of Vladimir Feltsman, lately. I dabbled a bit with Martha Argerich and Vladimir Horowitz, but have found the selections that Feltsman has chosen to play and record (at least that I can get my hands on) having a little more subtlety and distinction. Where the Argerich and Horowitz recordings I've listened to seem to be played with a little more flare and gusto than I prefer (granted I'm definitely a superficial listener of classical).
Not many others come to mind as I spend so much time listening to Evans.
When I want to step it up a notch I also listen to Oscar Peterson, when I'm in more of a party, less reflective mood.
In terms of classical pianists I find it harder to distinguish between them, but I find myself listening to a lot of Vladimir Feltsman, lately. I dabbled a bit with Martha Argerich and Vladimir Horowitz, but have found the selections that Feltsman has chosen to play and record (at least that I can get my hands on) having a little more subtlety and distinction. Where the Argerich and Horowitz recordings I've listened to seem to be played with a little more flare and gusto than I prefer (granted I'm definitely a superficial listener of classical).
Not many others come to mind as I spend so much time listening to Evans.