lpetrich
Contributor
Hiding America From Americans – Douglas Rushkoff – Medium by Douglas Rushkoff
That changed in 1898 with the Spanish-American War, where the US seized Cuba and the Philippines from Spain. The US got into transoceanic imperialism very late, missing out on Africa during the Europeans' dividing up of that continent in the late 19th cy. President Woodrow Wilson started out by saying that the US was "too proud to fight" in WWI, but he got the US into it, stating that "The world must be made safe for democracy." He proposed a world order presided over by an international organization, the League of Nations, but the US was burned out of big military adventures, and never joined.
This isolationism lasted until WWII, when the US helped defeat the Axis powers, and ended up confronting the Soviet Union in the Cold War. That led to the US starting a propaganda campaign meant to show what a great nation it is. But great in what way?
That kept many Americans from getting outraged at what the USIA was presenting to the rest of the world as what the US is like.
The Smith-Mundt Act was repealed in the 2012, because the Internet had made international borders too porous.
DR concludes:
That video: Times Square: "Abstract in Concrete" 1954 United States Information Agency (USIA) - YouTube -- lots of video of New York City's Times Square at night, including reflections of its lights on wet streets.Until quite recently, films like 1954’s Abstract in Concrete were banned for American viewers. Although produced with U.S. tax dollars, this cinematic interpretation of the lights of Times Square was meant for European consumption only. Like the rest of the art and culture exported by the United States Information Agency, Abstract in Concrete was part of a propaganda effort to make our country look more free, open, and tolerant than many of us preceived or even wanted it to be. In the mid-1940’s, when conservative members Congress got wind of the progressive image of America we were projecting abroad, they almost cut the USIA’s funding, potentially reducing America’s global influence.
For nearly a century after its founding, the United States did not meddle much in lands far beyond its boundaries. The US's first President, George Washington, warned against foreign involvements in his Farewell Address, though an exception occurred soon after: Thomas Jefferson sent some expeditions to punish some Barbary Pirates who had been raiding American shipping.Well, America today is in no danger of projecting too free, open, or tolerant a picture of itself to the world. But I’m starting to wonder if maybe the nationalist, xenophobic, inward-turned America on display to the world these days might just be the real us — the real U.S. Maybe the propaganda we created to make ourselves look like the leading proponents of global collaboration and harmony was just that: propaganda.
That changed in 1898 with the Spanish-American War, where the US seized Cuba and the Philippines from Spain. The US got into transoceanic imperialism very late, missing out on Africa during the Europeans' dividing up of that continent in the late 19th cy. President Woodrow Wilson started out by saying that the US was "too proud to fight" in WWI, but he got the US into it, stating that "The world must be made safe for democracy." He proposed a world order presided over by an international organization, the League of Nations, but the US was burned out of big military adventures, and never joined.
This isolationism lasted until WWII, when the US helped defeat the Axis powers, and ended up confronting the Soviet Union in the Cold War. That led to the US starting a propaganda campaign meant to show what a great nation it is. But great in what way?
But many Americans did not like that image that these agencies projected. The Left may have objected that this was prettifying the US, but the Right had a very different criticism (Selling the American Way | Laura A. Belmonte).... I grew up in the 1970s, at the height of America’s cultural outreach to Europe and the world. I remember how great Russian artists and ballet dancers would come to New York, and how American artists and writers would go to Europe. There were exchange students in my high school from Italy, France, and Germany. The outside world — the international society of musicians, writers, thinkers that America was fostering— seemed more artistic, cultural, and tolerant than what I knew here, at home. It seemed like the future.
This was by design, and part of a propaganda effort that began in the 1940's. Once the USSR and the U.S. divided Europe into East and West and the Cold War began, America went on a propaganda effort to present itself as more enlightened and free than the communists. The State Department, the CIA, and the United States Information Agency, as well as an assortment of foundations from Rockefeller’s to Fulbright’s, all dedicated themselves to painting a positive picture of America abroad. This was big money; by the late 1950’s the USIA alone spent over $2 billion of public money a year on newsreels, radio broadcasts, journalism, and international appearances and exhibitions. This included everything from Paris Review articles to Dizzy Gillespie concerts.
... So, abstract art exhibits and films, book collections with modernist novels, intellectuals, people of color, modern dancers, and all sorts of avant-garde culture was sent for consumption abroad.
They reached a compromise: the Smith-Mundt Act in 1948 forbade the release of any of the USIA's propaganda inside the US itself.Conservative Americans, as well as the senators who represented them, saw this stuff as gay, communist, Jewish, urban, effete, and an altogether terrible misrepresentation of who we were and what we stood for. Why, they asked, should we be spending upwards of two billion dollars exporting decadent, self-indulgent art and culture to the world?
That kept many Americans from getting outraged at what the USIA was presenting to the rest of the world as what the US is like.
The Smith-Mundt Act was repealed in the 2012, because the Internet had made international borders too porous.
DR concludes:
I wonder: was the Smith-Mundt Act hiding an internationalist and open-minded America from the few Americans who weren’t ready for it? Or was it simply hiding the nationalist and backwards-thinking America from the world? For all our efforts at telling Europe otherwise, maybe we are not really the modern society we self-styled proponents of public diplomacy like to think we are.