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The Shakespeare Authorship Controversy

That Oxford's death was kept secret (or possibly didn't happen on the stated date at all), and that he was reburied in Westminster Abbey (in "Poet's Corner"?) is very interesting. Waugh's speculations about Jonson's writings are also interesting and possibly correct, but they hardly constitute proof. I was expecting more.

On the matter of surname spelling: anyone who's played with the genealogy of medieval England will tell you that such spellings are wildly inconsistent. I don't know if it would be probative one way or the other to find the "real" spellings from 16th-century Stratford, but they seem hard to find: most transcriptions "modernize" spelling. It may be best o ignore Wikipedia.

In front of me now is Shakespeare: The Evidence, a virulently anti-Oxfordian biography by Ian Wilson. It cites a special marriage license issued 27 Nov. 1582 "inter Willelmum Shaxpere et Annam Whateley de Temple Grafton." I mention this NOT to demonstrate that "Shaxpere" was yet another rendition of that surname, but because of the bride's surname "Whateley." We all know he was married to "Hathaway", no? You can find biographies that insist the Bard loved some girl "Whateley" and was disappointed when "Hathaway" showed up (with a shotgun? :) the next day demanding he marry her instead because she was pregnant! The reality is almost surely much simpler: Surname spelling was very lax (although the Hathaway-->Whateley blunder was extreme).

I think it is absurd to imagine a coincidence where Oxford chose the "William Shake-speare" pseudonym and the same-named man from Stratford began putting his name on otherwise-anonymous plays independently. The usual explanation, I think, is that Stratford acted first; Oxford saw this and decided Shakespeare would be a convenient pen-name. My guess is that this was reversed: Oxford needed a "living breathing pen-name;" encountered a man with a name that delighted him; and hired Stratford to be his "frontman."

Jonson takes issue with the Stratford man, calling him a poet ape, an actor. Many have opined that Jonson obviously knew he was not the author but was simply presenting the plays as his own. And honestly, De Vere likely wished it so. This also explains who there are plays out there with Shakespeare's name on them but that are not Shakespeare's.

What do you make of the Golding letters which state that De Vere is buried in Westminster? I'm also curious your thoughts on the Droeshout Engraving. Do you agree with Orthodoxy that it is simply poor work?

I think it's appropriate that we can buy Shakespeare literature today upon which the author's name is Edward De Vere.

Respectfully, I maintain that you have jumped the proverbial gun, Moogly, at least with that last statement! For it to be appropriate to affix De Vere's name to the works of Shakespeare, a lot must be done: legal things at the very least.

I find it beyond belief that the great majority of Shakespeare scholars would have sided, and still do to this day, with Shakespeare as Shakespeare, IF there is such a preponderance of scientific, forensic proof that De Vere was the author of those works.

I regard it as given that at least some of the Shakespearean scholars down the years, and especially in modern times, have done the work and thoroughly investigated this alleged proof. I do realize that many orthodoxists, many 'true believers', have, still do, and will continue to pooh-pooh any and all authorship questions and theories about the great and deservedly, universally revered William Shakespeare.

But be that as it may, this has given a great spark to my life, and I am finally feeling well again. I still have fears, worries, anxiety, and occasional depressive moments, even days; but I think I can safely declare that at present I feel good. In fact I feel strong. So strong that I suspect I am in a manic phase. If I begin to write about God and Christ and faith, that may be a good indicator that such is the case. This bulletin board contains my original die hard atheism, ingrained as a youth, adopted partially from my father and friends, and sustained until about my forty-sixth year.

My conversion, and even my "being drawn to God" stage are documented here, and substantially, in the archives. I believe there is a thread of mine still extant wherein I expounded a theory about God, based at first in Spinozism, then blossoming full psychotic. It may be in Up in Flames or Elsewhere. It's called The Road to Understanding, or something grandiose like that. I am embarrassed by it, but in fact glad it is still around, so readers can see what vast sea-changes a person in the grip of delusional thinking, brought on by chemicals and medications both self -taken and professionally prescribed, often go through. There is much documentation and testimonials to such religious mania, and I believe physicians and neuroscientists have virtually nailed down the very place in the brain where they believe such things begin.

I posted a link to a video featuring an individual who was going through religious experiences to a far greater degree than I ever did. A well known neuroscientist in the video had been helping the young man. I posted that video long before someone at TFT just recently suspected me of not having done any research into this phenomenon, and indeed, in not even caring to do so, even though she knows that I have mental problems and have been discussing that very thing, right here, since 2010 and 2011!

My deconversion is also here, scattered about in my usual silly way.

My usernames were WilliamB, then Gulielmus Beta (when I first converted), then Loretta J. Hyde, and finally back to WAB.

Sorry for rambling, but I want you and Swammerdami to know that I really do wish to be taken seriously, despite my constantly gadding about trying to be funny. That behavior is double-edged: it has a healing effect, and also, well, I sometimes think I should have been a stand up comic...

No really...etc&

Loretta J. Hyde? I recall that one but not the others. I hope that my great ignorance didn't do anything monumentally stupid back then. If it ever did happen I apologize.

I'm pretty certain that the works of Shakespeare are public domain so I don't think there is anything improper or illegal affixing Oxford's name, particularly when there are so many people who would agree including several SCOTUS judges. Oxfordians have asked the Shakespeare Birthplace Trust to engage in a mock trial to prove their case and have been rejected. The SAC is trying to raise 100K as ante to get them to agree. If the Stratfordian case is so strong it should be easy money, so why not jump at the chance? Obviously it's because the matter is far from settled and in a trial setting with forensic evidence the case for Stratford isn't very strong at all. As a matter of fact it is just the opposite. So by refusing the offer the Stratfordians are simply protecting themselves.

I get the mania and the depression message. Trust me. We could talk for a very long time about those things. Those conditions are part of my family so I am personally familiar with the situation. Everyone must find a coping strategy that works for them and it can take a lifetime of learning to get there and stay there. Believe me, I am not at all unfamiliar with your situation.

But I'm glad to help make a difference. :)
 
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Reactions: WAB
Respectfully, I maintain that you have jumped the proverbial gun, Moogly, at least with that last statement! For it to be appropriate to affix De Vere's name to the works of Shakespeare, a lot must be done: legal things at the very least.

I find it beyond belief that the great majority of Shakespeare scholars would have sided, and still do to this day, with Shakespeare as Shakespeare, IF there is such a preponderance of scientific, forensic proof that De Vere was the author of those works.

I regard it as given that at least some of the Shakespearean scholars down the years, and especially in modern times, have done the work and thoroughly investigated this alleged proof. I do realize that many orthodoxists, many 'true believers', have, still do, and will continue to pooh-pooh any and all authorship questions and theories about the great and deservedly, universally revered William Shakespeare.

But be that as it may, this has given a great spark to my life, and I am finally feeling well again. I still have fears, worries, anxiety, and occasional depressive moments, even days; but I think I can safely declare that at present I feel good. In fact I feel strong. So strong that I suspect I am in a manic phase. If I begin to write about God and Christ and faith, that may be a good indicator that such is the case. This bulletin board contains my original die hard atheism, ingrained as a youth, adopted partially from my father and friends, and sustained until about my forty-sixth year.

My conversion, and even my "being drawn to God" stage are documented here, and substantially, in the archives. I believe there is a thread of mine still extant wherein I expounded a theory about God, based at first in Spinozism, then blossoming full psychotic. It may be in Up in Flames or Elsewhere. It's called The Road to Understanding, or something grandiose like that. I am embarrassed by it, but in fact glad it is still around, so readers can see what vast sea-changes a person in the grip of delusional thinking, brought on by chemicals and medications both self -taken and professionally prescribed, often go through. There is much documentation and testimonials to such religious mania, and I believe physicians and neuroscientists have virtually nailed down the very place in the brain where they believe such things begin.

I posted a link to a video featuring an individual who was going through religious experiences to a far greater degree than I ever did. A well known neuroscientist in the video had been helping the young man. I posted that video long before someone at TFT just recently suspected me of not having done any research into this phenomenon, and indeed, in not even caring to do so, even though she knows that I have mental problems and have been discussing that very thing, right here, since 2010 and 2011!

My deconversion is also here, scattered about in my usual silly way.

My usernames were WilliamB, then Gulielmus Beta (when I first converted), then Loretta J. Hyde, and finally back to WAB.

Sorry for rambling, but I want you and Swammerdami to know that I really do wish to be taken seriously, despite my constantly gadding about trying to be funny. That behavior is double-edged: it has a healing effect, and also, well, I sometimes think I should have been a stand up comic...

No really...etc&

Loretta J. Hyde? I recall that one but not the others. I hope that my great ignorance didn't do anything monumentally stupid back then. If it ever did happen I apologize.

I'm pretty certain that the works of Shakespeare are public domain so I don't think there is anything improper or illegal affixing Oxford's name, particularly when there are so many people who would agree including several SCOTUS judges. Oxfordians have asked the Shakespeare Birthplace Trust to engage in a mock trial to prove their case and have been rejected. The SAC is trying to raise 100K as ante to get them to agree. If the Stratfordian case is so strong it should be easy money, so why not jump at the chance? Obviously it's because the matter is far from settled and in a trial setting with forensic evidence the case for Stratford isn't very strong at all. As a matter of fact it is just the opposite. So by refusing the offer the Stratfordians are simply protecting themselves.

I get the mania and the depression message. Trust me. We could talk for a very long time about those things. Those conditions are part of my family so I am personally familiar with the situation. Everyone must find a coping strategy that works for them and it can take a lifetime of learning to get there and stay there. Believe me, I am not at all unfamiliar with your situation.

But I'm glad to help make a difference. :)

Thanks, Moogly.

I know about public domain. When I said "legal" I am imagining the whole transition from Shakespeare to De Vere, not just the relatively small percentage of Shakespeare lovers who are in the Oxfordian camp. They can do what they like. Make books with the De Vere name, sell them to whomever wants to buy them. Have at it. I don't think the Stratford man's name or reputation is in any imminent peril.

No matter how this goes for me personally, I am still, at this very moment, not averse to the possibility that I may become an Oxfordian.

But let's go back to what I was saying. I don't believe you actually expect the majority of Shakespearean scholars and regular lovers of Shakespeare to simply acquiesce and go along with the erasure of that beloved name, and/or that very individual? It is simply not about to happen any time soon.

I am planning on posting some citations from anti-Oxfordians, just for balance, in the thread. I do realize that you have read much or most if not all of the creditable (meaning Shakespearean scholars who have investigated the evidence Oxfordians claim to have amassed) objections and arguments, and my reasons for doing that have nothing to do with trying to persuade you or Swammerdami.

I will also add that I have heard and read some things from Oxfordians which I consider to be superficial at least, and downright laughable at most. Tom Veal linked to a page somewhere that shows graphic charts and such showing correlations and correspondences between a variety of Shakespeare's lines, mostly from the sonnets I think, and De Vere's extant poems. Well, some of these connections were absurd on their face. There is also, or there is professed to be, scientific research and testing which virtually eliminates the possibility that De Vere could have written Shakespeare. I know that sounds vague. I cannot remember those links and pages. I should have made notes! I will allow for the possibility that such scientific data doesn't really exist.

Back to legal issues for a moment: How would the process to replace Shakespeare's name with De Vere's go, anyway? Your camp would have to convince scholars, professors, librarians, book-sellers, book manufacturers, et al, in order to carry out such a monumental transition. Legal snags would be due to the very high probability that absolute, inviolate, incontrovertible proof of De Vere's authorship will not be forthcoming; and there would be too much money to be lost in simply going along with the tide, even for merchants and other professionals who believed that Oxford was the Author.

More later...
 
Respectfully, I maintain that you have jumped the proverbial gun, Moogly, at least with that last statement! For it to be appropriate to affix De Vere's name to the works of Shakespeare, a lot must be done: legal things at the very least.

I find it beyond belief that the great majority of Shakespeare scholars would have sided, and still do to this day, with Shakespeare as Shakespeare, IF there is such a preponderance of scientific, forensic proof that De Vere was the author of those works.

I regard it as given that at least some of the Shakespearean scholars down the years, and especially in modern times, have done the work and thoroughly investigated this alleged proof. I do realize that many orthodoxists, many 'true believers', have, still do, and will continue to pooh-pooh any and all authorship questions and theories about the great and deservedly, universally revered William Shakespeare.

But be that as it may, this has given a great spark to my life, and I am finally feeling well again. I still have fears, worries, anxiety, and occasional depressive moments, even days; but I think I can safely declare that at present I feel good. In fact I feel strong. So strong that I suspect I am in a manic phase. If I begin to write about God and Christ and faith, that may be a good indicator that such is the case. This bulletin board contains my original die hard atheism, ingrained as a youth, adopted partially from my father and friends, and sustained until about my forty-sixth year.

My conversion, and even my "being drawn to God" stage are documented here, and substantially, in the archives. I believe there is a thread of mine still extant wherein I expounded a theory about God, based at first in Spinozism, then blossoming full psychotic. It may be in Up in Flames or Elsewhere. It's called The Road to Understanding, or something grandiose like that. I am embarrassed by it, but in fact glad it is still around, so readers can see what vast sea-changes a person in the grip of delusional thinking, brought on by chemicals and medications both self -taken and professionally prescribed, often go through. There is much documentation and testimonials to such religious mania, and I believe physicians and neuroscientists have virtually nailed down the very place in the brain where they believe such things begin.

I posted a link to a video featuring an individual who was going through religious experiences to a far greater degree than I ever did. A well known neuroscientist in the video had been helping the young man. I posted that video long before someone at TFT just recently suspected me of not having done any research into this phenomenon, and indeed, in not even caring to do so, even though she knows that I have mental problems and have been discussing that very thing, right here, since 2010 and 2011!

My deconversion is also here, scattered about in my usual silly way.

My usernames were WilliamB, then Gulielmus Beta (when I first converted), then Loretta J. Hyde, and finally back to WAB.

Sorry for rambling, but I want you and Swammerdami to know that I really do wish to be taken seriously, despite my constantly gadding about trying to be funny. That behavior is double-edged: it has a healing effect, and also, well, I sometimes think I should have been a stand up comic...

No really...etc&

Loretta J. Hyde? I recall that one but not the others. I hope that my great ignorance didn't do anything monumentally stupid back then. If it ever did happen I apologize.

I'm pretty certain that the works of Shakespeare are public domain so I don't think there is anything improper or illegal affixing Oxford's name, particularly when there are so many people who would agree including several SCOTUS judges. Oxfordians have asked the Shakespeare Birthplace Trust to engage in a mock trial to prove their case and have been rejected. The SAC is trying to raise 100K as ante to get them to agree. If the Stratfordian case is so strong it should be easy money, so why not jump at the chance? Obviously it's because the matter is far from settled and in a trial setting with forensic evidence the case for Stratford isn't very strong at all. As a matter of fact it is just the opposite. So by refusing the offer the Stratfordians are simply protecting themselves.

I get the mania and the depression message. Trust me. We could talk for a very long time about those things. Those conditions are part of my family so I am personally familiar with the situation. Everyone must find a coping strategy that works for them and it can take a lifetime of learning to get there and stay there. Believe me, I am not at all unfamiliar with your situation.

But I'm glad to help make a difference. :)

Thanks, Moogly.

I know about public domain. When I said "legal" I am imagining the whole transition from Shakespeare to De Vere, not just the relatively small percentage of Shakespeare lovers who are in the Oxfordian camp. They can do what they like. Make books with the De Vere name, sell them to whomever wants to buy them. Have at it. I don't think the Stratford man's name or reputation is in any imminent peril.

No matter how this goes for me personally, I am still, at this very moment, not averse to the possibility that I may become an Oxfordian.

But let's go back to what I was saying. I don't believe you actually expect the majority of Shakespearean scholars and regular lovers of Shakespeare to simply acquiesce and go along with the erasure of that beloved name, and/or that very individual? It is simply not about to happen any time soon.

I don't perceive a need for any kind of transition. It isn't something that needs to be decided one way or the other. Perhaps one camp might bring suit against the other for some reason, but anyone can be sued by anyone for anything at anytime so that's not really an issue. It's Verey (Sorry, I couldn't resist.) much like Natural Selection/Evolution vs Intelligent design/Creationism imho. Anyone can observe Shakespeare for what it is whether ascribing the writings to the experiences of De Vere or not. Don't you agree? The claim among Stratfordians is that the Stratford man did not write from his experiences, that he just more or less rewrote earlier works, and of course a lot of that did occur.

I am planning on posting some citations from anti-Oxfordians, just for balance, in the thread. I do realize that you have read much or most if not all of the creditable (meaning Shakespearean scholars who have investigated the evidence Oxfordians claim to have amassed) objections and arguments, and my reasons for doing that have nothing to do with trying to persuade you or Swammerdami.

I will also add that I have heard and read some things from Oxfordians which I consider to be superficial at least, and downright laughable at most. Tom Veal linked to a page somewhere that shows graphic charts and such showing correlations and correspondences between a variety of Shakespeare's lines, mostly from the sonnets I think, and De Vere's extant poems. Well, some of these connections were absurd on their face. There is also, or there is professed to be, scientific research and testing which virtually eliminates the possibility that De Vere could have written Shakespeare. I know that sounds vague. I cannot remember those links and pages. I should have made notes! I will allow for the possibility that such scientific data doesn't really exist.

Back to legal issues for a moment: How would the process to replace Shakespeare's name with De Vere's go, anyway? Your camp would have to convince scholars, professors, librarians, book-sellers, book manufacturers, et al, in order to carry out such a monumental transition. Legal snags would be due to the very high probability that absolute, inviolate, incontrovertible proof of De Vere's authorship will not be forthcoming; and there would be too much money to be lost in simply going along with the tide, even for merchants and other professionals who believed that Oxford was the Author.

More later...
Please do. That's what makes it interesting. And you may have me at a disadvantage as I'm not really that well read on the subject, believe it or not. I'm certainly no Shakespeare scholar, just very interested in the subject as my scientific mind latches on to whodunnits quite readily. But I have done a bit of creative writing and was a Lit major in college so do have some appreciation for the art of composing verse, same as yourself. It strikes me as quite odd that the claim is made that the Stratford man or any writer could not be personally motivated and involved in his craft, that it was just some sort of robotic enterprise to make a buck. I'd want some real world examples other than the Stratford man to help support and illustrate this claim.

Enough for now...
 
As with Mr. Moogly, "whodunits" intrigue me, especially ancient or long-ago mysteries. (I started to list examples, but it would be a huge distraction here.) I have no "agenda" regarding the Shakespeare Authorship: it's just a mystery that's fun to think about or discuss.

I admire your willingness to expose your personal issues, WAB. (Perhaps thinking about the Authorship will be a useful distraction for you.) Partly inspired by you, I am considering telling parts of my own life story in the Introduce Yourself forum here. It could quickly turn to embarrassing aspects of my life that nobody alive today knows, and might serve me as rehearsal for telling my kids — all adult now — about their father.


I do want to comment on the following:
...
I find it beyond belief that the great majority of Shakespeare scholars would have sided, and still do to this day, with Shakespeare as Shakespeare, IF there is such a preponderance of scientific, forensic proof that De Vere was the author of those works.

I regard it as given that at least some of the Shakespearean scholars down the years, and especially in modern times, have done the work and thoroughly investigated this alleged proof. I do realize that many orthodoxists, many 'true believers', have, still do, and will continue to pooh-pooh any and all authorship questions and theories about the great and deservedly, universally revered William Shakespeare.
I have great respect for scientists; my default is to accept expert opinion without question. This is especially true in the physical sciences (and math): Laymen who question the teachings of climatologists or even expert mechanical engineers are usually just making fools of themselves.

But experts are far from infallible, especially in the "soft" sciences. (I myself was once a highly paid expert. Never mind what fields: "An expert is one who knows more and more about less and less until he knows absolutely everything about nothing." :) For example, you can read my comments in a TFT thread on prehistoric languages about the vitriolic debate among linguists regarding the Amerindian Hypothesis. Wikipedia will make it clear right away which side has the 51% in the Amerindian debate; but many experts (and one relatively well-read layman!) are rather certain the 49% are correct.

As another genealogical example relevant to our thread — Henry Carey was one of the Lords Chamberlain who was a patron of a company which staged Shakespeare plays — there is much dispute about whether Henry Carey's father was William Carey or King Henry VIII. Genealogical experts (including the highly respected site I linked to earlier) agree that Henry was most likely the King's son and his older sister Catherine was almost certainly the King's daughter. Yet Wiki's  Catherine Carey mentions her probable father only in a final section beginning with the phrase "In fiction." (BTW, Henry Carey had an affair with Emilia Lanier, allegedly the "Dark Lady" of the Sonnets!)

(ETA:Re-reading that Wiki article just now, I see that Wiki now does give more mention of the Kingly fathership than I implied.)

Anyway, there are many experts who agree with the anti-Stratfordians, but, since they are less than 51% in number, they get shouted down. And who is an "expert" anyway? Historians? Professors of literature? People with common sense or first-hand understanding of literary skill? Among the latter group there is a long list of writers (Twain, Whitman, James, etc.) who are anti-Stratfordian, along with half a dozen U.S. Supreme Court Justices (a group not noted for crackpottery).

As for literary experts: I've presented them with numerous challenges (via Google, not in person!) to explain some of the Sonnets. Sonnets that make zero sense if written by Stratford but excellent sense if written by someone like Oxford. If Stratfordian scholars have any explanation whatsoever for these strange Sonnets (or for peculiarities like Peacham's anagram or the Troilus preface) they've kept it secret from Google.
 
As with Mr. Moogly, "whodunits" intrigue me, especially ancient or long-ago mysteries. (I started to list examples, but it would be a huge distraction here.) I have no "agenda" regarding the Shakespeare Authorship: it's just a mystery that's fun to think about or discuss.

I admire your willingness to expose your personal issues, WAB. (Perhaps thinking about the Authorship will be a useful distraction for you.) Partly inspired by you, I am considering telling parts of my own life story in the Introduce Yourself forum here. It could quickly turn to embarrassing aspects of my life that nobody alive today knows, and might serve me as rehearsal for telling my kids — all adult now — about their father.


I do want to comment on the following:
...
I find it beyond belief that the great majority of Shakespeare scholars would have sided, and still do to this day, with Shakespeare as Shakespeare, IF there is such a preponderance of scientific, forensic proof that De Vere was the author of those works.

I regard it as given that at least some of the Shakespearean scholars down the years, and especially in modern times, have done the work and thoroughly investigated this alleged proof. I do realize that many orthodoxists, many 'true believers', have, still do, and will continue to pooh-pooh any and all authorship questions and theories about the great and deservedly, universally revered William Shakespeare.
I have great respect for scientists; my default is to accept expert opinion without question. This is especially true in the physical sciences (and math): Laymen who question the teachings of climatologists or even expert mechanical engineers are usually just making fools of themselves.

But experts are far from infallible, especially in the "soft" sciences. (I myself was once a highly paid expert. Never mind what fields: "An expert is one who knows more and more about less and less until he knows absolutely everything about nothing." :) For example, you can read my comments in a TFT thread on prehistoric languages about the vitriolic debate among linguists regarding the Amerindian Hypothesis. Wikipedia will make it clear right away which side has the 51% in the Amerindian debate; but many experts (and one relatively well-read layman!) are rather certain the 49% are correct.

As another genealogical example relevant to our thread — Henry Carey was one of the Lords Chamberlain who was a patron of a company which staged Shakespeare plays — there is much dispute about whether Henry Carey's father was William Carey or King Henry VIII. Genealogical experts (including the highly respected site I linked to earlier) agree that Henry was most likely the King's son and his older sister Catherine was almost certainly the King's daughter. Yet Wiki's  Catherine Carey mentions her probable father only in a final section beginning with the phrase "In fiction." (BTW, Henry Carey had an affair with Emilia Lanier, allegedly the "Dark Lady" of the Sonnets!)

(ETA:Re-reading that Wiki article just now, I see that Wiki now does give more mention of the Kingly fathership than I implied.)

Anyway, there are many experts who agree with the anti-Stratfordians, but, since they are less than 51% in number, they get shouted down. And who is an "expert" anyway? Historians? Professors of literature? People with common sense or first-hand understanding of literary skill? Among the latter group there is a long list of writers (Twain, Whitman, James, etc.) who are anti-Stratfordian, along with half a dozen U.S. Supreme Court Justices (a group not noted for crackpottery).

As for literary experts: I've presented them with numerous challenges (via Google, not in person!) to explain some of the Sonnets. Sonnets that make zero sense if written by Stratford but excellent sense if written by someone like Oxford. If Stratfordian scholars have any explanation whatsoever for these strange Sonnets (or for peculiarities like Peacham's anagram or the Troilus preface) they've kept it secret from Google.
Does Anderson have anything to say bout the preface to Troilus and Cressida? As I continue reading SBAN it will be on my mind. Anderson contends that much of Shakespear's dramas were originally performed for the Queen, then recast later as stage plays for a general audience. But that doesn't help us understand the preface.

Right now Oxford is 28 years old in 1578 and may have already written Troilus for the Queen. I will keep my radar up on this one. Very interesting. Peacham on the other hand is a done deal, there really isn't any mystery there, just anti-Oxfordian denial.
 
Does Anderson have anything to say bout the preface to Troilus and Cressida? As I continue reading SBAN it will be on my mind. Anderson contends that much of Shakespear's dramas were originally performed for the Queen, then recast later as stage plays for a general audience. But that doesn't help us understand the preface.

Right now Oxford is 28 years old in 1578 and may have already written Troilus for the Queen. I will keep my radar up on this one. Very interesting. Peacham on the other hand is a done deal, there really isn't any mystery there, just anti-Oxfordian denial.

Anderson mentions the curious fact that one edition of Troilus advertises that the play had been performed at Globe Theatre by The King's Men; a subsequent edition contradicted this with "Eternal reader, you have here a new play, never staled with the stage, never clapper-clawed with the palms of the vulgar ..." (Anderson doesn't mention that "eternal reader" might mean "Ever reader.")

However Anderson does NOT seem to mention at all the preface I'm referring to: "From a Never Writer to an Ever Reader. News" (Anderson focuses on Oxford's biography, rather than miscellaneous external clues.)

(I'm not sure what you mean with your comment about Peacham.)
 
In rereading here I see. I have overlooked some specific questions from Swammy & Moogly. I just want to quickly say that I am not ignoring them, I simply have a terrible short term memory and I also get very tangled up in distractions I make for myself.

In the interest of staying honest, let me say a few things:

First, Moogly, I agree that laymen will generally look foolish when disputing with scientists! No argument there from me. If you were to check, you would notice that in my nearly 17 years here I have only very rarely traipsed about in the science fora. I spent most of my time in philosophy and general discussion. I know my limits.

About the Stratford monument - I don't know enough about that to venture a qualified opinion, but I will say it doesn't look good for our Stratford bloke. But what do I know?


Golding letters, Drueshout engraving - I have no opinion yet, don't know enough. Let me look into that tomorrow and I'll see if I can venture anything my silly brain thinks about them.

In the meantime, dang it, where's everybody else? 150 active members and it's already whittled down to the three of us?

Dagnabbit!

More later...
 
Egads.

I have spent an hour or more in a thread on Facebook.

In a group called ShakesVere, which I joined. I found the group through a friend, who's apparently an Oxfordian.

Yikes!

I shall not be continuing with that group...

"Over to you, Howard!"

...
 
Last edited:
Egads.

I have spent an hour or more in a thread on Facebook.

In a group called ShakesVere, which I joined. I found the group through a friend, who's apparently an Oxfordian.

Yikes!

I shall not be continuing with that group...

"Over to you, Howard!"

...

ShakesVere? That is clever. I don't do facebook but that would be a proper reason to join.

Shakespeare and the authorship question isn't so interesting a subject for the general population so I'm not surprised that so few people participate. The authorship question, however, has made Shakespeare much more interesting for me.

And by scientific I simply mean evidence based.
 
Egads.

I have spent an hour or more in a thread on Facebook.

In a group called ShakesVere, which I joined. I found the group through a friend, who's apparently an Oxfordian.

Yikes!

I shall not be continuing with that group...

"Over to you, Howard!"

...

ShakesVere? That is clever. I don't do facebook but that would be a proper reason to join.

Shakespeare and the authorship question isn't so interesting a subject for the general population so I'm not surprised that so few people participate. The authorship question, however, has made Shakespeare much more interesting for me.

And by scientific I simply mean evidence based.

Yeah, I think you should consider joining the group, Moogly. Mark Anderson is in it. Assuming it's the same Mark Anderson. One never knows these days.

Linky: https://www.facebook.com/groups/shakesvere/


I do wish to say a couple things, however, and I hope you and Swammy will not take offense. Rest assured, none is intended. And no matter what happens, I am still grateful to you and Swammy for helping me find renewed interest in living. Thanks!

Now. The reason I said I will not be continuing with that group is because, from what I have read thus far, I suspect that at least some of those folks have lost their marbles. I say this with affection, as one who has lost lots of marbles over recent years. Um, well let's just say I only have two marbles left. I know because I just counted them.

*

To you and Swammy:

Have either of you read Umberto Eco's novel, Foucault's Pendulum? If not, I think you would enjoy it. I read it around the time it came out and it has stuck with me.

Linky (spoiler warning): https://en.wikipedia.org/wiki/Foucault's_Pendulum
 
No problemo, WAB. The main reason I never joined Facebook or Twitter or others like was primarily employment. To be honest I savored my privacy and didn't want to compromise myself. Plus it seemed a bit juvenile at the time but maybe it would be worth doing in this case. I'll let it rattle around for a few days.

For some reason William Faulkner came to mind as I was reading the wiki link. Faulkner's author persona was a bit dark and mysterious so perhaps that's all it is. Thank-you for the recommendation. I'm obviously not certain where you are going with the recommendation so I will leave it at that. In any case, no offense will be taken I can assure you.
 
No problemo, WAB. The main reason I never joined Facebook or Twitter or others like was primarily employment. To be honest I savored my privacy and didn't want to compromise myself. Plus it seemed a bit juvenile at the time but maybe it would be worth doing in this case. I'll let it rattle around for a few days.

For some reason William Faulkner came to mind as I was reading the wiki link. Faulkner's author persona was a bit dark and mysterious so perhaps that's all it is. Thank-you for the recommendation. I'm obviously not certain where you are going with the recommendation so I will leave it at that. In any case, no offense will be taken I can assure you.

No, no. I thought you might be offended by me saying that some of the FB Oxfordians had "lost their marbles."

Now: Once more unto the breach, dear friends, once more:

I really, really don't want to spoil the novel, because it's absolutely brilliant, and its sheer awesomeness comes across even through translation. I recommend the version by the amazingly awesome William Weaver. Damn, we Williams* are awesome, huh? Well, all except one. I won't mention names but his username rhymes with


Schmilby. Shhhhhh!!



Anyhoo, the protagonist in the novel rethinks a lot of his thinking when he remembers a moment from his childhood. This tidbit is not revealed until the very end.


Major themes[edit]...Most books written in this fiction genre seem to focus on the mysterious, and aim to provide their own version of the conspiracy theory. Eco avoids this pitfall without holding back on the historical mystery surrounding the Knights Templar. In fact, the novel may be viewed as a critique, spoof, or deconstruction of the grand overarching conspiracies often found in postmodern literature. Although the main plot does detail a conspiratorial "Plan", the book focuses on the development of the characters, and their slow transition from skeptical editors, mocking the Manutius manuscripts to credulous Diabolicals themselves. In this way the conspiracy theory provided is a plot device, rather than an earnest proposition. - Wikipedia


re: Faulkner. Nope, nothing to do with Faulkner, but it's funny you should mention him, since he's one of my favorite authors. Did you know that he made up a few things about his past in order to appear more impressive to people? Or so I have learned from several creditable sources. It might be false. At any rate, his prose is astonishingly good at times, I would call some of it pure poetry. Parts of The Sound and The Fury are even lineated like poetry.



*Remind me to tell you why I picked the Gulielmus Beta username, if you want.


ETA:

My first citation/quote from the anti-Oxfordian/pro-Stratford Man camp, just for balance. My notes are in square brackets:

The “nom de plume” theory, which happens to be the traditional Oxfordian view, stretches coincidence to the breaking point. A noble playwright picks as his pen name that of a real man who, at precisely the same time [no, not precisely] , is rising to prominence in the London theatrical world. Why the noble P. would want or need a pseudonym at all is left unexplained[No it's not!]. Anonymity was easy to maintain, as demonstrated by the numerous surviving plays whose authors are unknown. The disguise is all the more puzzling if the fleshly Shakespeare was as dubious a character as Miss Price postulates. Would an aristocratic author want the Court to think that he was an associate of a low-life usurer and grain hoarder? [good argument there. I would think that what one wants in any kind of dishonest activity is trust. Who in his right mind would place any amount of confidence in the Stratford man if said man were just as the Oxfordians have determined?]

Despite its flaws, this hypothesis is less incredible than any other as an explanation of how the name “Shakespeare” came to be affixed to Venus and Adonis and The Rape of Lucrece. A paid front man is unnecessary for these respectable narrative poems, and “Shakspere” was in no position to misappropriate them from a theatrical company. [In my view a strong argument, since De Vere had already allowed some twenty of his poems to bear his name.]

Tom Veal, Stromata [blog]

https://stromata.tripod.com/id115.html
 
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The “nom de plume” theory, which happens to be the traditional Oxfordian view, stretches coincidence to the breaking point. A noble playwright picks as his pen name that of a real man who, at precisely the same time [no, not precisely] , is rising to prominence in the London theatrical world.

The names are different, they are clearly not the same. Why would anyone equate Shake-speare with Shakspere. These are quite different. Now I know there's that thing with spellings being different but these two names are not the same. I do not have the link presently but will try to find it. Anyway, the Stratford archives have been searched and there is no Shake-speare of Shakespeare in those archives. There's Shakspere. So this claim is false right from the start. I mentioned earlier that it is the habit of Stratfordians to use "Shakespeare" whenever they see Shakspere.

And what of the hyphenated use as it regularly appears? Should we just ignore that even though it is a dead giveaway that it is a pseudonym? Are there actual names of elizabethan playwrights and poets that have hyphenated names that are not pseudonyms?

And there are no records of the Stratford man rising to prominence. There are records of plays with the name Shakespeare of Shake-speare on them. This hardly means they were written by the man from Stratford. There are absolutely no references to the Stratford man being a writer that are not posthumous. Even Stanley Wells admits this.

Why the noble P. would want or need a pseudonym at all is left unexplained[No it's not!]. Anonymity was easy to maintain, as demonstrated by the numerous surviving plays whose authors are unknown. The disguise is all the more puzzling if the fleshly Shakespeare was as dubious a character as Miss Price postulates. Would an aristocratic author want the Court to think that he was an associate of a low-life usurer and grain hoarder? [good argument there. I would think that what one wants in any kind of dishonest activity is trust. Who in his right mind would place any amount of confidence in the Stratford man if said man were just as the Oxfordians have determined?]

Despite its flaws, this hypothesis is less incredible than any other as an explanation of how the name “Shakespeare” came to be affixed to Venus and Adonis and The Rape of Lucrece. A paid front man is unnecessary for these respectable narrative poems, and “Shakspere” was in no position to misappropriate them from a theatrical company. [In my view a strong argument, since De Vere had already allowed some twenty of his poems to bear his name.

And the last of those poems happened when he was a nobody in his teens and not writing drama or poetry that was disparaging of the Royal Court or had anything to do with nobility. Therefore adopting the pseudonym is entirely understandable and explained.

Here's a question for Stratfordians. Why did the Stratford man die in obscurity? Why were there no eulogies? Why was a great, perhaps greatest, contemporary Elizabethan playwright not even mentioned as a writer by anyone in his family when he was so famous? Sooooooooooooooo famous? Does that wash? We are to believe he had audiences with the Queen and that the Queen was taken with him and patronized him yet when he died there was no royal recognition. The queen was dead but certainly someone as accomplished as the Stratford man would get some kind of recognition. But there was non, from anyone! Does that really wash?
 
Thanks, Moogly.

You make good points. But like I mentioned, I want to post some Stratfordian points mainly for balance. I don't mean with respect to posters in this thread, but to people who are not in this particular peanut gallery. And to ones who have a bit more Internet presence.

As you know, I have doubts about the Stratford bloke. I didn't before, but because of this thread, I do now.

My real interest in the Oxford theory is to find a good solid reason to think that De Vere wrote Shakespeare. My interest is not to defend the Stratford Orthodoxy.

See?

As it stands, it looks to me like you have plenty of evidence, but I disagree with you that it constitutes anything near proof.

Marlowe died in 1593, about when it is believed the Stratford Man began to gain steam. I can easily see Marlowe writing Titus. He was killed in a bar fight, okay, but he also worked for Queen & Country, took risks. Perhaps..just maybe, his murder was faked. He escaped, and lived to become good enough to write Shakespeare? I don't know. Do I believe it? No, but I'll tell you what I do believe. I believe that, at 29, Marlowe was a far better poet than De Vere was into his thirties. Swammy posted a link to some poems thought to have been written by De Vere when he was in his thirties, upthread.

William Stanley, to my mind, was a better poet than De Vere. His birth and death dates fit the accepted timeline better. He collaborated with Oxford, as you yourself said. Perhaps The Earl of Derby wrote the really, REALLY good stuff in Shakespeare, and Oxford wrote the rest?

Later...
 
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Thanks, Moogly.

You make good points. But like I mentioned, I want to post some Stratfordian points mainly for balance. I don't mean with respect to posters in this thread, but to people who are not in this particular peanut gallery. And to ones who have a bit more Internet presence.

As you know, I have doubts about the Stratford bloke. I didn't before, but because of this thread, I do now.

My real interest in the Oxford theory is to find a good solid reason to think that De Vere wrote Shakespeare. My interest is not to debunk the Stratford Orthodoxy.

See?

As it stands, it looks to me like you have plenty of evidence, but I disagree with you that it constitutes anything near proof.

Marlowe died in 1593, about when it is believed the Stratford Man began to gain steam. I can easily see Marlowe writing Titus. He was killed in a bad fight, okay, but he also worked for Queen & Country, took risks. Perhaps..just maybe, his murder was faked. He escaped, and lived to become good enough to write Shakespeare? I don't know. Do I believe it? No, but I'll tell you what I do believe. I believe that, at 29, Marlowe was a car better post than De Vere was into his thirties. Swammy posted a link to some poems thought to have been written by De Vere when he was in his thirties, upthread.

William Stanley, to my mind, was a better poet than De Vere. His birth and death dates fit the accepted timeline better. He collaborated with Oxford, as yourself said. Perhaps The Earl of Derby wrote the really, REALLY good stuff in Shakespeare, and Oxford wrote the rest?

Later...

I love and look forward to more friendly discussion. I don't have a dog in the race, as the saying goes. You said

WAB said:
My real interest in the Oxford theory is to find a good solid reason to think that De Vere wrote Shakespeare. My interest is not to debunk the Stratford Orthodoxy.

See?

I hate to keep posting links to videos but that's all I got. :) The following link explains the story about the Stratford man and the legend of a thousand pounds a year. The short of it is that there was this story circulating well after the Stratford man's death that "Shakespeare," here referring to the deceased Stratford man, was a huge spender and was receiving and spending payments of a thousand pounds a year for his work. This legend endured for some time. We actually know today that De Vere was in fact secretly being paid a thousand pounds a year by the Queen, ostensibly to write historical propaganda plays, which "Shakespeare" did, if Shakespeare was De Vere.

As far as I'm concerned that's a pretty strong case that De Vere was Shakespeare all along. You don't have to watch the entire video, just watching the first 15 minutes contains the information.

[YOUTUBE]https://www.youtube.com/watch?v=USIrCfHjgOE[/YOUTUBE]

I thought that Swammerdami had a post earlier concerning this payment but could not find it.
 
Here is a link to the Bust at Stratford. It is indisputably not the original bust. Most likely the original bust, based on primary evidence, was an effigy of John Shakspere, a wool merchant, the father of William Shakspere. The thing about any link, even this one, is that most will dismiss it as hogwash unless they actually take the time to read it. It's why I say the argument against the Stratford man is an evidentiary argument, not a literary one.

The Stratford Bust: A Monumental Fraud

The cumulative power of the evidence is persuasive. Dugdale’s eyewitness sketch of the sack-holder in the original monument, Hollar’s engraving of it through two editions of Dugdale’s book, Rowe’s copy of it almost a century later for his Shakespeare edition, Vertue’s “Shakespeare” as a nobleman in a ruff, then as an imaginary writer for Pope’s edition, Greene’s “cheerful” renovation — all lead to the conclusion that today’s monument is not the original and that it is, instead, a monumental fraud. The Dugdale/Hollar images of a sack-holder, the evidence that the monument was changed more than once over the centuries, and Richard Kennedy’s convincing argument that the original bust depicted, not William Shakspere, but his father John Shakspere, the wool-dealer, add to the growing mountain of evidence that the great poet dramatist William Shakespeare was someone other than William of Stratford.
 
Thanks, Moogly.

I am at peace, I've got time, and I'm going to watch the video now.

About the monument, okay, I grant you it smells fishy. Something rotten in Stratford...

Oooh, lest I forget, I really appreciate the cordial conversation too. Ain't it better than suffering the slings and arrows of the outrageous political forum? I think 'tis nobler, and it certainly rubs me better.

Talk to you later. Off to watch the vid...










:joy: <<<< I can't get enough of this guy!
 
(By the way, I prefer 'Swammi' as the spelling of my nickname.)

Although Mr. Moogly and I are both arguing the case for Oxford, I want to be clear: He and I differ on several details. For starters, I treat 'Shaksper' and 'Shakespeare' as different spellings of the same name. (It would be nice to know about the very first attested 'Shakespeare' spellings, but I doubt it's important.) The equation between 'Shakespeare' and the man from Stratford is only very thinly attested during Stratford's life but it is attested (sort of), once before the publication of Venus and Adonis, in the disparaging "Upstart Crow" quotation allegedly by Robert Greene.

The talk of 'forensic proof' leaves me confused. Early in the thread there was a link to a Regnier video stating the oft-overlooked point that circumstantial evidence, especially when large in quantity, is often the best evidence. The real world isn't like Euclid's geometry; the Authorship should be approached like a problem in Bayesian probability, and NOT by attempting to derive it a la . . . ∅∉S ⇒ ∃f : ∀c∈S, f(c)∈c . . . :).

An interesting question is WHICH circumstantial clues pointing at the Authorship will be most convincing to WHICH people. For me it's the totality of evidence, the HUNDREDS of coincidences linking Oxford to the Authorship. Perhaps it would behoove me to prepare a list of the, say, twenty most convincing clues. I've already listed a half-dozen or so strong clues, and am getting repetitious but there have been ZERO attempts in the thread to argue against any of them. I'll point to just one again: What canopy is the author of Sonnet CXXV speaking of with "Were't aught to me I bore the canopy"? Was that just a random word to rhyme with "eternity"?
 
Let me clarify why this mention of a canopy is significant. The message of Sonnet CXXV is not controversial: The poet considers the honors of the high-born, such as "bearing the canopy," to be insignificant compared with the pleasures of true love. (The concluding couplet, which segues to mention of a "suborned informer," is rather mysterious, but the whole sonnet is mysterious if we imagine it written by an obsequious commoner to an Earl.) Since only the first line
. . . Were't aught to me I bore the canopy,
is relevant for us here, I've hidden the rest of the Sonnet's text to reduce distraction.

And let me be first to agree that it would be laughable to base the case for an Oxfordian authorship on this mention of a canopy! It's only when combined with many dozens of other hints that the mention acquires significance.

Were't aught to me I bore the canopy,
With my extern the outward honouring,
Or laid great bases for eternity,
Which proves more short than waste or ruining?
Have I not seen dwellers on form and favour
Lose all, and more by paying too much rent
For compound sweet; forgoing simple savour,
Pitiful thrivers in their gazing spent?
No, let me be obsequious in thy heart,
And take thou my oblation, poor but free,
Which is not mixed with seconds, knows no art,
But mutual render, only me for thee.
. . . Hence, thou suborned informer, a true soul
. . . When most impeached, stands least in thy control.


Put yourself in the shoes of the son of a Stratford glover. If you wanted to allude to courtly honors and pleasures, would the image of bearing a canopy be natural? My understanding is that the Queen rarely traveled with a canopy at all; even seeing the Queen under a canopy would be a once-in-a-lifetime event for most Londoners. And — will I be called elitist for this? — I'll guess that most London commoners wouldn't grasp what a huge honor it was to help carry the Queen's canopy; even grooms and minor courtiers would be dressed in fine livery for special ceremonies.

Googling "Meaning of Sonnet 125" gets lots of hits. One misses the point entirely and thinks that the person "bearing the canopy" is the Monarch walking under the canopy, that the honor poet mentions is being a Monarch! If a Shakespearean scholar gets this wrong, what about the poor glover's son?

An anti-Oxfordian site (oxfraud.com) makes three points about the canopy:
(1) the use of the subjunctive ("Were't aught to me") means the poet never bore the canopy, so wasn't an Earl; and
(2) Edward de Vere was never allowed to bear the canopy because, while an Earl, he wasn't a Knight of the Garter.
(3) Queen Elizabeth supposedly never had a canopy born over her except in her coronation procession.
The author of oxfraud.com evidently lacks the self-awareness to see that his point (2) reverses the utility of his (1)!
And (3), if true, makes it even less likely that this image would occur to the glover's son.

So on how many occasions did the Queen walk under a canopy, and who were the bearers? I don't know; doubt that even good Googlers can find out; but am amused that oxfraud.com renders that issue moot!

By the way, Sonnet XXV has similar meaning to CXXV and contains the line "The painful warrior famoused for fight, ... Is from the book of honour razed quite." Some Oxfordians believe this also expresses regret that he was never made Knight of the Garter (or, as some claim, had the honor rescinded).

As clues go, I admit that the "canopy" is weak sauce! But it seems amusing to show the utter lack of perspective anti-Oxfordians have, epitomized here by oxfraud.com
 
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