lpetrich
Contributor
The Last of the Ayn Rand Acolytes | The New Republic
"I <3 fossil fuels"???Eight rules governed the original Ayn Rand clubs that proliferated across college campuses in the 1960s, as they sought to seed Objectivism—Rand’s philosophical glorification of laissez-faire capitalism and heroic individualism—in the minds of impressionable youth. And of these eight, only two rules could ever be mentioned publicly: 1) Ayn Rand is the greatest human being who has ever lived, and 2) her novel Atlas Shrugged is the greatest human achievement in the history of the world.
...
Objectivism has a serious youth problem, and the conference’s organizers were quite aware of it. They offered a discount rate for those under 30, a talent show, and extracurricular activities like “late night jams.” It made me wonder: Is Rand’s hyper-capitalist philosophy—which has influenced some of the most powerful political and economic giants of recent history, from Ronald Reagan and Alan Greenspan to Mark Cuban and Steve Jobs—running out of juice? There was only one way to find out. I would have to attend the conference’s various panels on the virtue of selfishness, the evils of regulation, and the greatness of capitalism’s dark patron saint, and try to fraternize with the next class of Paul Ryans in the making. So I went into the Objectivist sanctums of Cleveland, sporting an Ayn Rand tote bag outfitted with an “I <3 fossil fuels” pin, to gauge the reach of Rand’s cult of unbridled capitalism on today’s political scene.
Many of Ayn Rand's followers consider her artistic tastes to be the uniquely rational ones.Given the conference’s focus on establishing Randian beach heads in American culture, I opted for “Appreciating Ayn Rand’s Tiddlywink Music.”
Tiddlywink music, for the uninitiated, sounds like the score to “Steamboat Willie” or a tune you might hear on an old-timey carousel: manically upbeat and repetitive, calling to mind a sonic hamster wheel. For an hour, we listened to different examples of the genre, which seems to have been classified as such by Rand and no one else. “Pay attention to the tinkling,” the lecturer encouraged us. To me, it sounded like something a homicidal clown would listen to, or what a particularly sadistic interrogator would blast at high volume to torture his quarry.
What made Tiddlywink music uniquely pro-capitalist? It has roots in the 1890s, which Rand insisted was the only historical period of true human flourishing. It was an era of unfettered capitalism—child labor, robber barons, tenements—which she loved not in spite of those things, but because of them.