YES. It can be! But that is not exactly what I was arguing.
Oh, joy, so you were being unnecessarily pedantic. How ironic.
Do you understand what it means to be unnecessarily pedantic? Do you understand that this is not a freshman classroom and that the better
context would be a master's thesis? You aren't telling anyone something new. Certainly not me. I am an artist, in fact. I know perfectly well the distinctions I am making, which is precisely why I am making them.
This is not about a general principle. At least, not what I am talking about. This is about whether or not THIS SONG is about rape or in any way condoning rape or even a "little bit rapey" and how to properly determine such a thing by examining the lyrics, understanding their context and factoring in something that is actually rare; the artist's daughter informing us precisely what the artist was saying.
What YOU are instead talking about--at least in regard to our interactions--is more akin to psychoanalysis than artistic interpretation. Which is why I ignored your DW Griffith question. It isn't relevant. We--I--am not interested in attempting to psychoanalyze Frank Loesser.
Again, it's not that complicated. The song is not about rape or condoning rape or in any way "a little bit rapey." That is simply an incorrect assessment based primarily on ignorance--and, yes, sure, a little Freudian projection if you like.
But if you insist on unnecessarily repeating "artistic interpretation" as if we're all idiot freshmen, then be sure to also repeat the fact that it is possible to be wrong in one's artistic interpretation. Yes, wrong. It is not always or just axiomatically a purely subjective endeavor. Once again and for auld lang syne, if I were to say that the context of your argument must be understood in terms of how Nazis viewed artistic interpretation as the will of the state (just to throw in some fascism to piss off Poli), would I be correct?
Not, "do I have the right to think anything I want?" That's not the question. We ALL know this is the case. Would I be
correct--in the intellectually honest, as close as can be established to being objectively the case sense--in stating that YOUR argument is only understandable in terms of Nazi Germany?
I'll save you the bother. No, I would not be
correct. I would be wrong. It may be interesting on its own to explore and blah blah blah, but when it comes to the quetion of whether or not the proper context of YOUR argument is Nazi Germany? I would be
wrong. There is no shame in being wrong. Many many many people--myself abundantly included--have been, can be and currently are
wrong.
Again, there is no principle involved here that needs to be defended. I am NOT saying that idiot freshmen can't dream their dreamy little dreams about whatever the fuck they want. This is about
sophistry; about misconstruing--primarily and apparently out of plain old ordinary ignorance that can
easily be rectified--context, not whether or not Miro's use of bright colors constitutes a symbolic vocabulary of communication.
Thus, in regard to the OP and the context of 2018 (and all it entails) and, in general, every fucking thing ever, the only proper response to any such sophistry is, "You need to read the lyrics in their entirety and within their proper context, not merely isolate/cherry pick ones out of context and then base any conclusions on what you've taken out of context."
So, actually, there, I was wrong. There
is a principle involved.
Sophistry is the issue (that I am addressing) as it relates to the arguments about whether or not this song is "a little bit rapey"; not the general idea of freedom of artistic interpretation.
Crystal clear?