lpetrich
Contributor
Transcendent Outsiders, Alien Gods , and Aspiring Humans: Literary Fantasy and Science Fiction as Contemporary Theological Speculation
Ryan Calvey mainly talks about some visual-media SF works, and he concedes some incompleteness. But this is what he talks about:
Introduction: More/Less Theology is the Problem/Solution
He proposes liberal-religion and New-Age "sane spirituality" as an alternative to both religious conservatism and atheism.
Chapter One: Science Fiction on Theology; Science Fiction as Theology
Describing how SF stories often feature superpowerful or otherwise advanced entities -- godlike entities
Chapter 2: Aliens as Traditional Gods
The authoritarian and judgmental and punitive sort
Chapter 3: Making Contact with New Age Alien Gods
Nice and friendly ones
Chapter 4: Voices from Below: Aspiring Humans and “Hierarchies of Beings” in Gene Wolfe’s Short Sun and Wizard Knight
Ryan Calvey then lists a lot of such characters, like robots, supercomputers, magically-animated toys and statues, holograms and other AI simulations, projections of others' minds, assembled and cloned human beings, and also ET's. He mentions them because we might seem like gods to them. RC proposes this hierarchy:
RC conceded that his work did not cover some possibilities, and I'll give a more complete list.
Angry -- authoritarian and judgmental and punitive
The Day The Earth Stood Still -- humanity ought to become more peaceful -- or else!!! Though Klaatu is a Jesus Christ figure, Gort is an enforcer
Friendly -- like liberal/New-Age theology
Carl Sagan's Contact, Close Encounters of the Third Kind, Starman, Cocoon -- especially Contact:
Arthur C. Clarke's Childhood's End also fits, and also the Brobdingnagians and the Houyhnhnms of Gulliver's Travels.
Some UFO contactees' accounts have striking parallels, and RC mentions some of what Orfeo Angelucci described. Here are some from George Adamski. From his part of Flying Saucers Have Landed (1953), "Space Brother" Orthon about nuclear bombs and the devastation that they can cause:
Aloof -- involving themselves with humanity, but not willing to talk to us about anything. Something like a deist god.
2001: A Space Odyssey is a classic of this one. The move's four black slabs are involved with humanity, but they say little or nothing to us. They are involved in humanity's emergence, and they take crewman Bowman on a wormhole ride and keep him in a sort of hotel room for the rest of his life.
H.P. Lovecraft's stories may also qualify.
UFO abductions (the abductors act like clumsy wildlife biologists) and UFO surveillance (the usually speculation about their presence in our airspace) fall into this category.
Apotheosis -- evolving into gods.
The classic here is Isaac Asimov's short story 'The Last Question".
Absent -- effectively nonexistent. Humanity is at the top of the heap, only subject to entities that behave in completely impersonal ways.
Isaac Asimov's Foundation Trilogy is a good example of that.
In real life, that's what the Universe has been like as far as we have been able to determine. In connection with ET's, it's provoked a lot of discussion about the "Fermi paradox", why we don't observe any evidence of them if they exist.
Ryan Calvey mainly talks about some visual-media SF works, and he concedes some incompleteness. But this is what he talks about:
Introduction: More/Less Theology is the Problem/Solution
He proposes liberal-religion and New-Age "sane spirituality" as an alternative to both religious conservatism and atheism.
Chapter One: Science Fiction on Theology; Science Fiction as Theology
Describing how SF stories often feature superpowerful or otherwise advanced entities -- godlike entities
Chapter 2: Aliens as Traditional Gods
The authoritarian and judgmental and punitive sort
Chapter 3: Making Contact with New Age Alien Gods
Nice and friendly ones
Chapter 4: Voices from Below: Aspiring Humans and “Hierarchies of Beings” in Gene Wolfe’s Short Sun and Wizard Knight
Ryan Calvey then lists a lot of such characters, like robots, supercomputers, magically-animated toys and statues, holograms and other AI simulations, projections of others' minds, assembled and cloned human beings, and also ET's. He mentions them because we might seem like gods to them. RC proposes this hierarchy:
- Transcendent outsiders
- Human beings
- Aspiring human beings
It is clear not simply that we should have and encourage more respect for the best works of science fiction and fantasy for their literary merits, though we should (in part, as I have argued, by reevaluating the dated, but still prominent, concept many critics have of genre), but that, in valuing both genres, we should stress what I have argued throughout—that one of their most useful functions is to provide testing grounds for theological/spiritual/moral ideas and possibilities in ways that realistic narratives typically cannot and our mainstream discourse often does not. What could (or should) such a recognition change about how we speak about or teach either genre or literature in general? What effects could or should accepting science fiction and fantasy as spiritual/theological playgrounds have on how we think of religion and theology, spirituality and transcendence? These are questions for us to consider.
RC conceded that his work did not cover some possibilities, and I'll give a more complete list.
Angry -- authoritarian and judgmental and punitive
The Day The Earth Stood Still -- humanity ought to become more peaceful -- or else!!! Though Klaatu is a Jesus Christ figure, Gort is an enforcer
Friendly -- like liberal/New-Age theology
Carl Sagan's Contact, Close Encounters of the Third Kind, Starman, Cocoon -- especially Contact:
CEIII is rather disjoined, with the ET's being friendly only in the last part of it. They were *very* annoying in the first part of it. Starman features a sort of virgin birth, and Starman and Cocoon seemingly miraculous healings.... the alien “Caretaker” she encounters provides her with a different, more sophisticated model for God. Contrary to her expectations of traditional religion/theology (judgment, intervention, commandments, etc), her encounter, while in surface ways similar to most human/transcendent outsider interactions, is far more in line with progressive and New Age spirituality than those we have discussed earlier.
...
‘It isn’t like that,’ he said. ‘It isn’t like the sixth grade.’ […] ‘Don’t think of us as some interstellar sheriff gunning down outlaw civilizations. Think of us more as the Office of the Galactic Census. We collect information. I know you think nobody has anything to learn from you because you’re technologically so backward. But there are other merits to a civilization’
...
The emphasis in Ellie’s interaction with the Caretaker is growth, expansion, and development—humans have reached a point where they are on their own.
Arthur C. Clarke's Childhood's End also fits, and also the Brobdingnagians and the Houyhnhnms of Gulliver's Travels.
Some UFO contactees' accounts have striking parallels, and RC mentions some of what Orfeo Angelucci described. Here are some from George Adamski. From his part of Flying Saucers Have Landed (1953), "Space Brother" Orthon about nuclear bombs and the devastation that they can cause:
From Inside the Spaceships (1955), "Space Sister" Kalna about war and things like that:To this, too, he nodded his head in the affirmative, but on his face there was no trace of resentment or judgment. His expression was one of understanding, and great compassion; as one would have toward a much loved child who had erred through ignorance and lack of understanding. This feeling appeared to remain with him during the rest of my questions on this subject.
It is a great pity that we must talk of such sorrowful things—and still sadder that such woe exists anywhere in the Universe. In ourselves, we of other planets are not sad people. We are very gay. We laugh a great deal.
Aloof -- involving themselves with humanity, but not willing to talk to us about anything. Something like a deist god.
2001: A Space Odyssey is a classic of this one. The move's four black slabs are involved with humanity, but they say little or nothing to us. They are involved in humanity's emergence, and they take crewman Bowman on a wormhole ride and keep him in a sort of hotel room for the rest of his life.
H.P. Lovecraft's stories may also qualify.
UFO abductions (the abductors act like clumsy wildlife biologists) and UFO surveillance (the usually speculation about their presence in our airspace) fall into this category.
Apotheosis -- evolving into gods.
The classic here is Isaac Asimov's short story 'The Last Question".
Absent -- effectively nonexistent. Humanity is at the top of the heap, only subject to entities that behave in completely impersonal ways.
Isaac Asimov's Foundation Trilogy is a good example of that.
In real life, that's what the Universe has been like as far as we have been able to determine. In connection with ET's, it's provoked a lot of discussion about the "Fermi paradox", why we don't observe any evidence of them if they exist.