Lumpenproletariat
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- ---- "Just the facts, ma'am, just the facts."
Is all our known history just ALLEGORY?
BUT, when I said the Barabbas scene "cannot be allegory" I didn't mean there's not one chance in 100 trillion that it's allegory -- maybe the odds are 1 in 100 or 1 in 1000. What I meant is that it's very improbable that it's allegory, because the two scenarios --- the scapegoat ritual and the Barabbas scene -- are radically dissimilar, and so not analogous to each other.
Do you understand what an allegory is, or metaphor, or literary symbol? There's a comparison: the elements of a story plot compared to the elements of the symbol that story is supposed to express by analogy. There has to be a common feature in both of them which is the same, even though the two items -- the story and the symbol it represents -- are separate, not identical. But they must have an identical common element -- in this case 2 characters (the goats) which are both innocent. If there's no such common element, then it's not an allegory, or metaphor, or parallel -- and there's no analogy of the story to the symbol to be expressed allegorically. If you claim it's an allegory, then you have to show the element common to the 2 scenarios.
Just that there are two objects in each scene does not make the 2 analogous. E.g., a story about 2 birds flying overhead is not an allegory for 2 runs being scored in a baseball game a mile away. There has to be more in the scenario than simply 2 objects doing something. Just a number which appears in both scenarios does not make the two scenarios analogous and therefore one of them a symbol for the other.
the Barabbas scene
Again, the Barabbas scene is about 2 prisoners who are very different from each other: One is totally innocent of any wrong, while the other is clearly guilty of a serious crime. And the innocent one is condemned to death while the guilty one is set free. This has nothing to do with the scapegoat scene in which 2 innocent goats are put through a ritual. They're both innocent, and so they cannot be represented by this "trial" scene where the innocent one is condemned and the guilty one set free.
If the Mark author needed a scenario to symbolize the scapegoat ritual, he needed to create a scene in which 2 innocent ones are made the objects, which the author could have done. He could have put an innocent person rather than Barabbas into the scene, to represent one of the innocent goats, and then have Jesus represent the other innocent goat. BOTH the characters have to be innocent in order for the scene to be an allegory for the scapegoat scenario. This is obvious, and it would have been obvious to the Mark author, who, even if he was a bad writer, understood allegory and could easily have provided such a scenario for his allegory of 2 innocent prisoners representing the 2 innocent goats.
You're right that this fundamental flaw does not mean there isn't one chance in 50 trillion that it was intended as an allegory. Maybe it was, but it's highly unlikely. There was no reason for the author to make one character a violent criminal compared to the other who is innocent. So therefore the chance is extremely small, maybe 1 in 100 or 1 in 1000, that the scene is intended not literally but as a symbol for the scapegoat scene involving 2 innocent goats.
It's obvious that the author made one character innocent and one guilty not because he needed an allegory, but because there's a real case he's reporting in which one prisoner is innocent and the other is guilty, and there's an injustice of condemning the innocent one rather than the guilty one. This is what is significant in the scene, and so if it's to serve as a symbol for some other scene somewhere, that scene also must be about a similar injustice happening, especially something ironical where the outcome inflicts a double injustice like freeing the guilty one while condemning the innocent one.
So the Mark author was constrained by something to make the story be about one innocent prisoner and one guilty prisoner. What constrained him to do this? It must have been the reality of the event he is describing, in which one is guilty and one innocent -- rather than 2 innocent prisoners, which he would have chosen for the scene if he meant it as an allegory for the scapegoat ritual.
You're in the wrong message board. The topic here is the Historical Jesus -- about an ancient history event, not about modern Anglo and American pop culture, or about your knee-jerk judgmentalism against some writer whose style makes you vomit.That's one of the weakest "reasons" in history.There's a simple reason the Barabbas scene cannot be an allegory: If the writer-creator's intent here was to paint an allegory, he would have done a much better job of it.
It stands up if, and only if, there is no such thing as bad writing.
The evidence to the contrary is overwhelming. I present for your consideration Jeffery Archer, just as a single datum from the veritable tsunami of options to disprove your conjecture.
You're right -- it's possible that William Shirer's Rise and Fall of the Third Reich is only allegory, or that the events reported on the Nightly News are only allegory. You're right that the history or news reported to us might NOT have happened literally and that "there is no reason whatsoever" that the moon landing or other events "cannot be allegory." All our reported history and events may be only allegory, as you're suggesting, and those writers and reporters are just guilty of "bad writing" when their work appears as literal reporting rather than the creative allegory you've proved that it really is. You're right that this is not absolutely impossible.In conclusion, there is no reason whatsoever that the Barabbas scene cannot be an allegory. . , . "Proof by reference to the impossibility of bad writing" is an absolute doozy.
BUT, when I said the Barabbas scene "cannot be allegory" I didn't mean there's not one chance in 100 trillion that it's allegory -- maybe the odds are 1 in 100 or 1 in 1000. What I meant is that it's very improbable that it's allegory, because the two scenarios --- the scapegoat ritual and the Barabbas scene -- are radically dissimilar, and so not analogous to each other.
Do you understand what an allegory is, or metaphor, or literary symbol? There's a comparison: the elements of a story plot compared to the elements of the symbol that story is supposed to express by analogy. There has to be a common feature in both of them which is the same, even though the two items -- the story and the symbol it represents -- are separate, not identical. But they must have an identical common element -- in this case 2 characters (the goats) which are both innocent. If there's no such common element, then it's not an allegory, or metaphor, or parallel -- and there's no analogy of the story to the symbol to be expressed allegorically. If you claim it's an allegory, then you have to show the element common to the 2 scenarios.
Just that there are two objects in each scene does not make the 2 analogous. E.g., a story about 2 birds flying overhead is not an allegory for 2 runs being scored in a baseball game a mile away. There has to be more in the scenario than simply 2 objects doing something. Just a number which appears in both scenarios does not make the two scenarios analogous and therefore one of them a symbol for the other.
the Barabbas scene
Again, the Barabbas scene is about 2 prisoners who are very different from each other: One is totally innocent of any wrong, while the other is clearly guilty of a serious crime. And the innocent one is condemned to death while the guilty one is set free. This has nothing to do with the scapegoat scene in which 2 innocent goats are put through a ritual. They're both innocent, and so they cannot be represented by this "trial" scene where the innocent one is condemned and the guilty one set free.
If the Mark author needed a scenario to symbolize the scapegoat ritual, he needed to create a scene in which 2 innocent ones are made the objects, which the author could have done. He could have put an innocent person rather than Barabbas into the scene, to represent one of the innocent goats, and then have Jesus represent the other innocent goat. BOTH the characters have to be innocent in order for the scene to be an allegory for the scapegoat scenario. This is obvious, and it would have been obvious to the Mark author, who, even if he was a bad writer, understood allegory and could easily have provided such a scenario for his allegory of 2 innocent prisoners representing the 2 innocent goats.
You're right that this fundamental flaw does not mean there isn't one chance in 50 trillion that it was intended as an allegory. Maybe it was, but it's highly unlikely. There was no reason for the author to make one character a violent criminal compared to the other who is innocent. So therefore the chance is extremely small, maybe 1 in 100 or 1 in 1000, that the scene is intended not literally but as a symbol for the scapegoat scene involving 2 innocent goats.
It's obvious that the author made one character innocent and one guilty not because he needed an allegory, but because there's a real case he's reporting in which one prisoner is innocent and the other is guilty, and there's an injustice of condemning the innocent one rather than the guilty one. This is what is significant in the scene, and so if it's to serve as a symbol for some other scene somewhere, that scene also must be about a similar injustice happening, especially something ironical where the outcome inflicts a double injustice like freeing the guilty one while condemning the innocent one.
So the Mark author was constrained by something to make the story be about one innocent prisoner and one guilty prisoner. What constrained him to do this? It must have been the reality of the event he is describing, in which one is guilty and one innocent -- rather than 2 innocent prisoners, which he would have chosen for the scene if he meant it as an allegory for the scapegoat ritual.
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