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Literature/writing appreciation thread

ruby sparks

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Any aspiring or practicing writers out there on the forum? Novels? Short stories? Flash fiction? Feel free to discuss or share your work or your experiences of writing.

I do not write myself, though like many I harbour the urge. I may even try it when my life allows me more time and opportunity.

Or, share your favourite pieces of writing/literature (by others) here, or your favourite authors perhaps, or those that you draw upon as influences. I could at least join in with that, since I have many favourite authors and books. I am especially fond of reading the short story form.

ETA: perhaps there is already a thread on reading habits and preferences. If so, whoops.
 
Thanks, ruby.

I will offer a few examples of my fiction, just as samples. The complete stories are too big, and I'm none too overjoyed with my bits of flash fiction.

Gimme a few to select something...
 
Exerpts from my novella, Fireflies of the Dusk:


You’ve reached a respectable age when nostalgia becomes history. When memories are like curious pictures in a book. I can see myself in my striped pull-over and short-pants, sitting quietly in the spacious backseat of a green car, freckle-faced and somewhat grim looking, as if I already knew what life held in store for me. I was the diplomatic middle-child, my place the hump in the center of the bench. These were the California days, stucco and starfish, squat, single-storied houses, colossal emptiness of potential stretching into invisibility behind the house of the kid with too much breakfast cereal. Chalk on the pavement denoted yard-lines. I was fast, I was good at catching and throwing. But I was too small. I spat like paper from a straw, greased monkey with pigskin bundle, my talisman. Up north was a bay I remember so dimly the memory has taken on the quality of fiction. Hitchcock. Birds all over the pealing buildings: firehouse, library, post office. These are birds of pure abstraction, or animate ghosts trapped in film. The colors are washed out, my ordinary shit-brown eyes are nearly a sexy gray. I was not a bad looking kid. Always so damned serious. Torn from the viscera, covered in blood, designed to suffocate in amniotic fluid, a mistake. Now that I’ve said that how can I convince you, mon frere, that I believe joy to be our natural state, that most of our pain is artifice, a crude and pathetic facade wrought of our own weakness and self-deception. You won’t believe me because you have been trained like a sea lion to balance the ball of good faith on your nose, to sit still and take it like a good reader, to let the grand lies filter down through the top of your head where they proceed to bully the blithe emotions, kick them out through your sucker-punched ears. The heroes of sword and pen have buried your birthright of happiness. They have christened you under a noisome deluge of blood and history, piled atop your innocent head the worshiped banalities of neurosis, complaint, vacuous philosophical pontification, the messy and stupid struggle toward Socialization. The shores of well-being, those pink and pungent curtains, drift away behind you. You lose the smell, the sensation of birth and welcome, the cold, bright light of the first morning. The poets fit you in chains and fatuous critics polish the tearing cuffs. O Christ, our wrists bleed. The sea of humanity is throbbing red, an emergency.


***

I’m going to state my case outright, even if that means throwing shadows on the wall to amuse myself. Someone had it all worked out a long time ago. It’s true - and don’t presume to doubt it for one moment - a man is capable of recognizing himself for the walking corpse that he is. When this happens the logical result is madness, inevitable self-destruction. You might take the poet’s advice and change your life, change it absolutely, though very few have done it. Usually it is too late, you have loitered far beyond the middle of life’s road, and there is no sage to guide you. You will slog through Hell, and the golden bough will elude you in perpetuity. You will abandon all hope. No Orphean lute will flutter its melancholic lament. You will march inexorably on and on into the darkness. Tragically, there are those who are forced to remain among the quick, being unable to participate willingly in the destruction of another. For these wretched souls there is Purgatory, life as a means of preserving life in another and nothing more. But this middle ground, this grayish interim between life and death, can be nothing if not mercifully brief. In this limbo, music squats like an old maid in the whorl of your ear, poetry incants with the insouciance of an undertaker, and love sits like a ghastly bird inside your head, an intolerable pressure, a thing of beauty once now utterly changed, an absurdity. In this half-life grief turns concrete, takes on weight, stands on your shoulders and screws its thumbs into your eyes. You do not mourn for the dead, but for the living. A child laughs and you grieve for the child, intimate as you are with the separation that has already begun, that has put leagues of desolation between the child and yourself. Its ebullient laughter comes as if across a barren sea of still water. In the child’s embrace you step away from yourself, ashamed and incompetent, your arms broken, love perched fat in the hollow of your skull like a black swan. You waken, stung with drought, and words patter on the obscene light like raindrops. Some are white raindrops, impossible and invisible raindrops, some are black, filthy, or clumsy. Grief has crawled in through your mouth and you can barely contain it. Your skin stretches, your throat is stuffed full with it. Grief shines through your skin. Curled and black, it moves like a giant fetus.

***
 
I thought that was really well written. Packed with potent imagery. Somewhere between poetry and prose (there is probably a word for such a hybrid) and all the better for it.

Yes it's dark. Most particularly, I thought, at 'a child laughs and you grieve for the child'. Bleak. Obviously, you may be projecting, talking more about your own life than the child's. But you probably know all this (ETA: in fact as I reread it I think I see your intent better than I did at first).

The underlying theme (as I parsed it) reminds of pyramidhead's posts here at the forum on philosophical pessimism, which I found very worthwhile.

I was also reminded of the character Sammy Mountjoy ("a talented painter but a directionless and unhappy man") from William Golding's novel, 'Free Fall':

"When did I lose my freedom? For once, I was free... Free-will cannot be debated but only experienced, like a colour or the taste of potatoes. I remember one such experience. I was very small and I was sitting on the stone surround of the pool and fountain in the centre of the park... The gravelled paths of the park radiated from me: and all at once I was overcome by a new knowledge. I could take whichever I would of these paths..."
https://en.wikipedia.org/wiki/Free_Fall_(Golding_novel)

Though that is specifically to do with losing freedom rather than losing happiness, but they are related I think.

Here is another passage from the start of that book. They may even be the opening lines, I think:

“I have walked by stalls in the market-place where books, dog-eared and faded from their purple, have burst with a white hosanna. I have seen people crowned with a double crown, holding in either hand the crook and flail, the power and the glory. I have understood how the scar becomes a star, I have felt the flake of fire fall, miraculous and pentecostal. My yesterdays walk with me. They keep step, they are grey faces that peer over my shoulder.”

I mention it because your style in the short story above reminded me of it, the part prose part poetry thing, the way something is conveyed in imagery that does not necessarily immediately or overtly explain itself to the reader in a linear manner, in a rewarding way that encourages rereading.




ETA: In fact, here are some google excerpts from the Golding book, and I see that both the passages I quoted are in fact from the first page:
https://books.google.co.uk/books?id...rple, have burst with a white hosanna&f=false




Incidentally, I really enjoyed and admired the first two pieces of flash fiction at your blog, 'Hidden i" (which I don't think I grasped completely but then I do not mind that at all and have an appetite for ambiguity and less than a full understanding of writer intent, for the room it leaves for my own response) and 'joy', which I thought was a very well-captured vignette.
 
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"Calling Bird"


a flash of humor a burst of life

and into the pleroma she cries

with feathers flying each way and that

in many-wayed motion but common intent

until the shapes and colors subside

a lark in peace of motion will ride

the gentle plumes of invisible will

that settle the spurring universe still

if hope is the thing of feathers, well

a bird is the charity that gives them weight

that we in the world of sitting things

can taste the flight without the wings

and ponder the joy that living brings
 
And another one, since it is past the equinox (it's actually a Fall poem, despite the title):


Once upon a northern summer

I.

once upon a northern summer
when the pines lilted in gentle warmth
which brushed past the needles like snowfall
and settled in the warm dens of downy duff,
a young deer nosed in the foliage
before pausing, startled
as the sun disappeared behind a cloud

but the sun reappeared as it does
and the fawn skipped gaily away
only in his youthful exuberance he left
his lovely carapace behind him

inviolate it sat in the sunlight
soft velvet skin draped over lithe muscles
and sinews laying gently in the folded grass
for a while safe from the foragers, looking
as though it might spring swiftly to life

the birds called about in the trees
making their homes in the branches
and the wind blew warm through the glade
and insect hubbub thrummed, competing
with the clatter of a distant stream
the sky turned gold and then violet


II.

when the sun returned it found the fawn
looking far less like it had been
some things were missing
and some things were changed
and soon it was hard to distinguish
the form of the thing from the place
where it lay

another creature came along
a deer, of like kind but older
and though she knew well of the element
that had whisked all activity away
she paused for a spell in that very sunny place
her graceful ears taut in nervous tension
waiting long before moving off
from the clearing that her offspring had died in

III.

the fog settled in with the early morning
sweeping ethereal in veins of shifting light
through the nebulous hulk of the slumbering trees

creatures creeping by in the moist underbrush
were surprised by the abrupt change of climate
beginning an autumn that covered the ground
beneath the lush grasses that grew there

a fox, padding by in the clearing, sniffed
at the things which the eye couldn't see
the fawn disconnecting the doe recollecting
and yet deeper mysteries still:
a seed of a tree that had found for a nursery
the loamy black soil of the tomb

it remembered the old man whose sermons they bore
for the sake of the tidbits of food that he brought
and his passionate words about birth after death

it wondered to itself if this earnest seed was
what the auburn-cowled patron had meant?
or whether this sapling would be swept aside
for the sake of a promised resurrection
 
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Thanks much for the critique, ruby. I'm also glad you liked the flash fiction, a genre which has exploded in popularity but difficult to carry off. I've only tried it with those two pieces. My natural tendency is to go on and on, adding as much graphic detail as possible (show don't tell). Believe it or not, I've never read Golding, but will have to give him a shot.

Politesse, those are very nice, particularly the latter.
 
ruby,

If you enjoy the short story, you must read "The Naked Nude" by Bernard Malamud. It's perhaps my fave piece of short fiction. And Hawthorne's tales are usually wonderful. He can be as dark as Poe, even Lovecraft, but he often doesn't get enough credit for that. Hawthorne's themes seem to dwell inordinately on time, change, cycles of life and death, mutability, and appreciation of ancestors. But while he can be dark, he can also be uplifting. And his style is impeccable.

Joyce's "The Dead" is also a brilliant short story.

ETA: And lest I forget, a must read is the story "Paul's Case", by the amazing Willa Cather.
 
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Thanks WAB, yes I will check those out. Of the ones you mentioned, I have only read 'The Dead', and yes it packs a punch.

I have many favourite short stories. Unsurprisingly perhaps, Alice Munro and Raymond Carver would feature on any list I might make. If I had to pick one story by each straight off the top of my head, it might be 'Amundsen' by the former and 'What We Talk About When We Talk About Love' by the latter. I never know whether to capitalise all the words in a story title or even whether it's still considered de rigeur to capitalise any at all. Lol.

https://www.newyorker.com/magazine/2012/08/27/amundsen

https://www.northernhighlands.org/c...hat We Talk About When We Talk About Love.pdf



Nice work politesse, observant and sensitive, not least in an appreciation of the subtleties and dare I say the spirit of nature.
 
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