What makes his position neoconservative?
If you offend a sacred in-group of the left you must have taken a position on the right.
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Real offense to an actual "group" is not required. It is sufficient to trigger the manufactured offense of a handful of self-promoting pseudo-intellectuals who arrogantly claim to speak for a group.
Keene and other professional outrage mills treat cultural appropriation as though it's inherently bad. While there are instances where cultural appropriation that are distasteful and demeaning, they are the exception. Something not being to your preferences does not constitute demeaning (a conflation that the left is increasingly borrowing from the religious-right). All of culture is appropriation. Ideas, dress, practices, speech, food, etc. are borrowed (usually in piecemeal fashion) adapted and re purposed for various uses. Appropriation is the source of variation, and 99% of appropriations are neutral or positive by any reasonable assessment. Culture is appropriation, so to complain about culture being appropriated is moronic. In addition, there is no valid basis to distinguish between appropriation within versus between cultures, despite all the outrage being directed at the latter. There is no objective demarcation where a culture begins and another ends. Every culture can be divided into sub-cultures, so all within-appropriations can be viewed as between-appropriations. Ultimately, Keene and her ilk only care about white people appropriating non-white cultures, because it isn't about appropriation, but about wanting to invent another form of racial injustice.
Ironically, Rawlings' type of appropriation is so common (emphasizing the spiritual/magical aspects of pre-modern cultures) precisely because of a bigger and objective error by many on the left, the romanticizing of pre-modern cultures, as though they were "deeper" and more harmonious than modern society. Efforts to evoke regret, a sense of loss, and guilt about the demise of these cultures have entailed presenting them as spiritually and in most other ways superior to the modern world. Part of this narrative (dominant in most science fiction) entails villainizing technology and modern science for causing us to lose touch with our true selves, "the spirits" and mother-earth, blah, blah, blah.
We have lost touch with the "magic" that was cherished by the people our modern world paved over. Its a rampant trope that could be the tagline to almost every movie entailing a clash between modernism and pre-industrial societies.
Rawlings' book is not about Native Americans per se. Its about magic. A major theme in her book is that magic has been largely wiped out and forgotten in the modern world. So, it makes sense that she would invoke cultures that have been largely wiped out and forgotten as the keepers of that lost magic. Of course she isn't going to go into all the details surrounding various "magical" elements of those cultures. In fact, tethering those practices to various tribe-specific realities would undermine the story she is telling, which is a story more about how the same "magic" existed (and still exists hidden) all over the world.
BTW, I am not at all a Rawlings fan. I just understand her narrative and the pseudo-historical romanticized narrative context it stems from.
Although conservatives dismiss cultural appropriation in general, what I've argued here is not a conservative position any more than a person who opposed Hiltler was taking a Stalinist position, just because Stalin fought against Hitler. It is a rational position that merely acknowledges that appropriation is the essence of culture itself and thus there is nothing wrong with it. The small % of instances that can be reasonably said to be wrong, are not wrong for being appropriations but for being insults where the appropriated objects are merely incidental props used in the insult.