lpetrich
Contributor
I remember reading the novel long ago. However, a part of it soured me on it, and for that reason, I have not seen the movie version.
When Ellie Arroway and her fellow wormhole travelers finish their extraterrestrial journey, all the physical evidence of that journey got erased -- all the videotapes that they had used to record their travels. So they were left with their memories, and everybody else was dependent on their assertions. From
Contact (novel), "Ellie finds herself asking the world to take a leap of faith and believe what she and the others say happened to them."
That's what I didn't like -- the destruction of the evidence, destruction that seemed very contrived to me.
Even worse, she had only the same kind of evidence as UFO contactees do of their contacts and travels. How was she any different from George Adamski or Billy Meier? Did Carl Sagan himself ever see the connection? He himself had once run into a UFO contactee early in his career, and he disdained UFO contactees from then onward, if not before.
Silver Screen Saucers: Looking Back at 'Contact' by Robbie Graham -- RG himself also notes the similarity:
I could take the preposterous notion that pi was fixed by some superintelligence rather than fixed by logical necessity ("The Artist's Signature"), but not that.
When Ellie Arroway and her fellow wormhole travelers finish their extraterrestrial journey, all the physical evidence of that journey got erased -- all the videotapes that they had used to record their travels. So they were left with their memories, and everybody else was dependent on their assertions. From
That's what I didn't like -- the destruction of the evidence, destruction that seemed very contrived to me.
Even worse, she had only the same kind of evidence as UFO contactees do of their contacts and travels. How was she any different from George Adamski or Billy Meier? Did Carl Sagan himself ever see the connection? He himself had once run into a UFO contactee early in his career, and he disdained UFO contactees from then onward, if not before.
Silver Screen Saucers: Looking Back at 'Contact' by Robbie Graham -- RG himself also notes the similarity:
In the movie, Ellie is asked why she does not withdraw her testimony because of the lack of evidence beyond her assertions:And so an individual is selected for contact and provided with philosophical nuggets but zero physical evidence of their alien encounter, before being left to tell their story to whomsoever will listen. Ellie, it seems, has much in common with the contactees of UFO lore.
In effect, a spiritual awakening. She even gets a quasi-religious sort of following of her as a prophet of the "new world".“Because I can’t. I... had an experience... I can’t prove it, I can’t even explain it, but everything that I know as a human being, everything that I am tells me that it was real! I was given something wonderful, something that changed me forever... A vision of the universe, that tells us, undeniably, how tiny, and insignificant and how rare and precious we all are! A vision that tells us that we belong to something that is greater than ourselves, that we are not, that none of us, are alone! I wish I could share that. I wish that everyone, if only for one moment, could feel that awe, and humility, and hope. But... That continues to be my wish.”
Something that I did not pick up on, I must concede. But then again, I was very bummed out by the erasure of the evidence.Like many a contactee, Ellie has attracted followers with her stories of otherworldly communion. Certain elements of society see fit to believe her, while most do not. Either way her story is out there.
I could take the preposterous notion that pi was fixed by some superintelligence rather than fixed by logical necessity ("The Artist's Signature"), but not that.