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Astrophotography

SLD

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Not sure if others share my passion for astronomy, but on the off chance others do, I thought I’d start a thread of Astrophotography. I’m not that great and don’t have the really expensive equipment necessary for the really great shots but I did this last night. It Messier 65 and 66, and yes I was trying for the entire Leo Triplet, but missed one. That’s OK! This is only 25 subs at 2 minutes a piece with 10 darks and 45 bias shots. Canon T3i modified on an Explore Scientific 127mm scope. ISO 1600. Stacked and processed in ImagesPlus and PSExpress. I need to add flats. Maybe later, chores now.

31315CCC-7D6F-424A-AEE8-FFB6279E18AC.jpeg
 
That's an incredible image especially taken by a hobbyist. Not that I know anything about the the state of the art these days. I once owned a 8" Celestron reflector, but never got very far with it. So I had to google the scope you use and came upon this guy's website: Astrobin.com and Chuck Ayoub's gallery posting below (sorry for the large size of the image):

WxgPfVGt6JTy_1824x0_cczXV3LN.png

Really amazing that something like that can be attained from someone's backyard in Alabama. Anyway, I'm posting it because what I've always wondered is whether these are true color images and what someone in a spaceship would actually see with the unaided eye. I've been assuming that most of what they show on TV science documentaries is color enhanced to reflect the wavelengths associated with various elements.
 
That's an incredible image especially taken by a hobbyist. Not that I know anything about the the state of the art these days. I once owned a 8" Celestron reflector, but never got very far with it. So I had to google the scope you use and came upon this guy's website: Astrobin.com and Chuck Ayoub's gallery posting below (sorry for the large size of the image):

View attachment 33434

Really amazing that something like that can be attained from someone's backyard in Alabama. Anyway, I'm posting it because what I've always wondered is whether these are true color images and what someone in a spaceship would actually see with the unaided eye. I've been assuming that most of what they show on TV science documentaries is color enhanced to reflect the wavelengths associated with various elements.

Almost certainly with just an 8" reflector this was taken using a clock drive and perhaps hundreds of individual timed shots stacked and aligned with special software to get the true colors. You just don't see true colors like this just looking through the eyepiece or just one photograph.
 
That's an incredible image especially taken by a hobbyist. Not that I know anything about the the state of the art these days. I once owned a 8" Celestron reflector, but never got very far with it. So I had to google the scope you use and came upon this guy's website: Astrobin.com and Chuck Ayoub's gallery posting below (sorry for the large size of the image):

View attachment 33434

Really amazing that something like that can be attained from someone's backyard in Alabama. Anyway, I'm posting it because what I've always wondered is whether these are true color images and what someone in a spaceship would actually see with the unaided eye. I've been assuming that most of what they show on TV science documentaries is color enhanced to reflect the wavelengths associated with various elements.

Yes, these are quite likely false colors because the dominant color will be red from hydrogen. Also, the surface brightness of these things are pretty low so it won’t look as impressive in person as in a long exposure photograph.
 
A few years ago I took this photo of the Orion's belt and the Orion nebula using my Canon PowerShot SX50 superzoom at 215mm equivalent. I believe that I used night shot which would have taken several individual photos and stacked them. I took it resting the camera on the roof of the car.

2012 12 30 19 29 06.jpg
 
That's an incredible image especially taken by a hobbyist. Not that I know anything about the the state of the art these days. I once owned a 8" Celestron reflector, but never got very far with it. So I had to google the scope you use and came upon this guy's website: Astrobin.com and Chuck Ayoub's gallery posting below (sorry for the large size of the image):

View attachment 33434

Really amazing that something like that can be attained from someone's backyard in Alabama. Anyway, I'm posting it because what I've always wondered is whether these are true color images and what someone in a spaceship would actually see with the unaided eye. I've been assuming that most of what they show on TV science documentaries is color enhanced to reflect the wavelengths associated with various elements.

Yes, these are quite likely false colors because the dominant color will be red from hydrogen. Also, the surface brightness of these things are pretty low so it won’t look as impressive in person as in a long exposure photograph.

The guys on Astrobin can be quite amazing. I have a few pics there myself. Narrowband imaging, like this picture, is very difficult. They typically are taken over several nights, totaling often 60 hours of data. Plus additional dark, bias and flat frames. I only had time for 10 darks last night. I need to add flats. That would eliminate the glow in the middle. Bias shots are easy and I have them prestored. For narrowband, typically people choose the Hubble palette (same filters) so their pictures look like they come from the Hubble telescope itself. Of course those are “false” colors. Almost all colors in space are. If you look at any of these nebulae through a telescope, you won’t see any colors. Just a faint cloud of stuff. If you use an OIII filter to observe though (increases contrast) you’ll notice it turns the nebula green. So not exactly false. H-alpha is near the red end of the spectrum. Hubble makes it almost brown.

One advantage Chuck has over me is a dedicated astronomy camera. He’s using a cooled camera, and the cooling, often 20 degrees Celsius below ambient makes a huge difference in noise. My Canon DSLR actually heats up above ambient so it’s even worse. A real camera is m next big purchase but I need to get better first. They can easily run you over $2K.
 
A few years ago I took this photo of the Orion's belt and the Orion nebula using my Canon PowerShot SX50 superzoom at 215mm equivalent. I believe that I used night shot which would have taken several individual photos and stacked them. I took it resting the camera on the roof of the car.

View attachment 33438

There’s some inexpensive mounts for wide field like this. A friend has something called a move shoot move rotator. I think it’s only a few hundred dollars. He takes amazing wide field shots with it. Utterly mind blowing. I’ve enjoyed a bit of wide field but it’s best under far less polluted skies than I am near.
 
Back in my professionally active days, I got the chance to observe with the 0.9m telescope on Kitt Peak, just outside of Tucson, Arizona. I observed a few nebulae, including M27 (aka Dumbbell Nebula) and IC 63. I took narrowband images in lines of hydrogen, sulfur and oxygen. The three individual images are shown below and then the composite three-color, where I colored them red, green, and blue, respectively. I arbitrarily adjusted the brightness of each image to make for a nice color balance, which is why the stars ended up looking yellow/green.

m27_rgb.jpg

m27.jpg

And the below is how the combined image ended up looking for IC 63, a nebula illuminated by Gamma Cassiopeiae.

ic63_lin.jpg
 
This is on the to-do list. We (8-yo daughter and I) recently got an 8-inch'er with EQ mount. She is really into it. The tracking mount makes things so much easier to keep an 8-yo's head in the game. Finally got Jupiter done, early morning thing, and my daughter leapt out of bed when I told her the scope was targeted on it. So she has seen Mars (crappy underwater quality, but big), Jupiter (washed out, turn good), Saturn (pretty good), and Uranus. We had gotten the scope just before the conjunction (took two months to get!), but it was cloudy skies for literally one month straight! :(

Need to get the adapter to get the camera on it. I think I also need to get a north star tool for alignment. I think our equipment, including camera (Sony, which is good with low light) is the minimum required, so the shots should be adequate, nothing great. My Uncle is a "pro", well, "pro-amateur". He did this stuff back in the 80s when you really needed to know your stuff. He now how a pole mounted into the ground for a "tripod", and can take ridiculously long exposures, half-hour plus! He was sent me some mind blowing stuff.
 
This is on the to-do list. We (8-yo daughter and I) recently got an 8-inch'er with EQ mount. She is really into it. The tracking mount makes things so much easier to keep an 8-yo's head in the game. Finally got Jupiter done, early morning thing, and my daughter leapt out of bed when I told her the scope was targeted on it. So she has seen Mars (crappy underwater quality, but big), Jupiter (washed out, turn good), Saturn (pretty good), and Uranus. We had gotten the scope just before the conjunction (took two months to get!), but it was cloudy skies for literally one month straight! :(

Need to get the adapter to get the camera on it. I think I also need to get a north star tool for alignment. I think our equipment, including camera (Sony, which is good with low light) is the minimum required, so the shots should be adequate, nothing great. My Uncle is a "pro", well, "pro-amateur". He did this stuff back in the 80s when you really needed to know your stuff. He now how a pole mounted into the ground for a "tripod", and can take ridiculously long exposures, half-hour plus! He was sent me some mind blowing stuff.

Polar alignment is essential for good tracking. It takes me a good hour to get a proper alignment. Often have to redo it several times. Get a good guidescope and a guide camera. Then you need PhD guiding, which is a free software. Once you have that up and running you can 3 minute shots. No more than that usually. Don’t forget darks, flats and bias shots. Still need a better way to do flats. I’m missing them above and it shows.

You can do planetary imaging without it.
 
Looked it up, and apparently the mount I have actually has a place for a polar alignment scope, it is well hidden. So I order that up, a t-mount adapter, and a bulb clicker for the camera, etc... and will see how this works out. With that bulb clicker (for whatever reason Sony made the older one obsolete), I'm going to need to do some waterfall stuff with the ND filter.

But astro first, it'll be tricky with leaves. Out. Hopefully the Sisters are farther along their path and clear. I think the Orion Nebula is blocked for a while. I'll need to check the moon rising and setting.
 
Looked it up, and apparently the mount I have actually has a place for a polar alignment scope, it is well hidden. So I order that up, a t-mount adapter, and a bulb clicker for the camera, etc... and will see how this works out. With that bulb clicker (for whatever reason Sony made the older one obsolete), I'm going to need to do some waterfall stuff with the ND filter.

But astro first, it'll be tricky with leaves. Out. Hopefully the Sisters are farther along their path and clear. I think the Orion Nebula is blocked for a while. I'll need to check the moon rising and setting.

There’s plenty of good apps for planning. I like Orion sky safari, but it’s about $16. Stellarium is free and also great. There’s also a free polar alignment app that I find helpful.

Orion is great for photography because it’s so bright. You only need 30 second shots of it to get a good overall photo. More than that and you blow out the trapezium. But it won’t be back until the fall. But summer Galaxy shots are great. There are lots of bright nebulas you can capture. M20, M8, M16. To go beyond 30 seconds you’ll need a guidescope and guide camera. Used ones are easily found and fairly cheap. Mine were actually free, given to me by others who were upgrading. Download PhD guiding as it’s a free app. Also download ImagesPlus a free Astrophotography software. You’ll need to watch a YouTube video about it first to understand what to do. But it’s a real good processing program specifically designed for Astrophotography.

The moon’s up for the next couple of weeks, but contact me off line when you’re going up and I’d be happy to help. And here’s my Orion done about a year and a half ago.

602D5CF3-D12E-4213-A99D-BD81AE72EC4C.jpeg
 
That is incredible.

Received the stuff yesterday. Had to go out and get a metric set of hex wrenches. *YAK!* (Thank goodness I had a Hex wrench < 1/16", otherwise I would have got that first... and then realized I needed metric). But the polar scope is aligned with the mount.

T-mount adapter fits the camera. So seem to have the pieces. We'll see how things are tonight. Start with the moon.
 
Here is a question, is film better than digital? IE, it is possible to use a film camera and stack photos onto a single frame, without using any computers. I get that noise can become an issue, but if you stack short frames, does that mitigate that problem? Obviously, this would be for Deep Space stuff. I'm not clear on when noise becomes a problem, ie, whether it is simply an aggregate thing or a length of exposure thing.
 
Here is a question, is film better than digital? IE, it is possible to use a film camera and stack photos onto a single frame, without using any computers. I get that noise can become an issue, but if you stack short frames, does that mitigate that problem? Obviously, this would be for Deep Space stuff. I'm not clear on when noise becomes a problem, ie, whether it is simply an aggregate thing or a length of exposure thing.
All professional astronomy is done with digital detectors now so I don’t feel that film could be superior. I’m not sure how you’d stack film photographs.

Noise comes in a few flavors, but if the noise is random then stacking more images will help. If it is systematic noise then it won’t help. Longer exposures may be preferred when read noise is high, but shorter exposures can help in other ways.
 
Here is a question, is film better than digital? IE, it is possible to use a film camera and stack photos onto a single frame, without using any computers. I get that noise can become an issue, but if you stack short frames, does that mitigate that problem? Obviously, this would be for Deep Space stuff. I'm not clear on when noise becomes a problem, ie, whether it is simply an aggregate thing or a length of exposure thing.
All professional astronomy is done with digital detectors now so I don’t feel that film could be superior. I’m not sure how you’d stack film photographs.
Some film cameras allow you to not advance the film, so you can take multiple images on a single frame. For normal photography, you could take 4 shots of a length that is 1/4th that required for a proper exposure so the aggregate length is still the same. I did this to get a ghost effect of people on a boardwalk.

4004957558_50fb2a29d6_c.jpg

Noise comes in a few flavors, but if the noise is random then stacking more images will help. If it is systematic noise then it won’t help. Longer exposures may be preferred when read noise is high, but shorter exposures can help in other ways.
I figure people aren't stacking for the fun of it and it makes things work better.
 
Here is a question, is film better than digital? IE, it is possible to use a film camera and stack photos onto a single frame, without using any computers. I get that noise can become an issue, but if you stack short frames, does that mitigate that problem? Obviously, this would be for Deep Space stuff. I'm not clear on when noise becomes a problem, ie, whether it is simply an aggregate thing or a length of exposure thing.

Some film cameras allow you to not advance the film, so you can take multiple images on a single frame. For normal photography, you could take 4 shots of a length that is 1/4th that required for a proper exposure so the aggregate length is still the same. I did this to get a ghost effect of people on a boardwalk.

View attachment 33632

Noise comes in a few flavors, but if the noise is random then stacking more images will help. If it is systematic noise then it won’t help. Longer exposures may be preferred when read noise is high, but shorter exposures can help in other ways.
I figure people aren't stacking for the fun of it and it makes things work better.

Stacking is used to help eliminate noise and to avoid having to track the stars. Multi-exposing film would get rid of both of these benefits. If you are using film mount your camera on a mount that tracks and simply leave the shutter open as long as your exposure calls for.
 
Some film cameras allow you to not advance the film, so you can take multiple images on a single frame. For normal photography, you could take 4 shots of a length that is 1/4th that required for a proper exposure so the aggregate length is still the same. I did this to get a ghost effect of people on a boardwalk.

Sure, but since you’re still using the same piece of film you haven’t gained anything in terms of dynamic range. So, how would this be any different than a long exposure? I guess if you’re not tracking an astronomical object and you need to adjust pointing so as to not smear out an image as a longer exposure would do. But if you are interested in deep space photography that requires long exposures you better be tracking.
 
I could be completely wrong but I thought that one of the points to stacking multiple images was that real objects like star will be consistent but noise totally random and so easy to filter out in processing.
 
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