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Atlas Shrugged the TV series?

lpetrich

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From DW itself:
DailyWire+ has acquired exclusive film and television rights to Ayn Rand’s “Atlas Shrugged,” and will develop a series based on the groundbreaking 1957 novel, company co-CEO Jeremy Boreing announced Thursday.

Boreing vowed that the series will be true to the book’s message, plot, and character archetypes. The book — which has sold over seven million copies worldwide — champions Rand’s theory of objective reality and morality. Set in an over-regulated, dystopian United States and told from the perspective of railroad executive and protagonist Dagny Taggart and the fiercely individualistic leader John Galt, it promotes the theme that self-interest is not only the most moral, but also the only viable way to organize society.

Boreing and Daily Wire co-founders Ben Shapiro and Caleb Robinson are producing for DailyWire+.
Among the others credited were John Aglialoro, who produced the three Atlas Shrugged movies. He had acquired the rights in 1992, but the movies were made two decades later.

From Deadline,
Right-wing news and media company The Daily Wire has been forging a lineup of film and TV content. Recent movies include Gina Carano western Terror on the Prairie and D.J. Caruso thriller Shut In.
No hint as to whether the series will be a serialization of the book or else some takeoff of the book, like the Handmaid's Tale series (Hulu) or the Foundation series (Apple TV+).
 
Atlas Shrugged is Ayn Rand's big 1957 novel about some heroic capitalists who go on strike against "looters" and a government that oppress and exploit them. A sort of Marxism for right-wingers.

It was not made into a movie for over half a century, though her 1943 novel, The Fountainhead, was, in 1949. That one was about an architect who stubbornly followed his creative vision, no matter what.
 Atlas Shrugged (film series)
  • In Part I, railroad executive Dagny Taggart (Taylor Schilling) and steel mogul Henry Rearden (Grant Bowler) form an alliance to fight the increasingly authoritarian government of the United States.
  • In Part II, Taggart (Samantha Mathis) and Rearden (Jason Beghe) search desperately for the inventor of a revolutionary motor as the U.S. government continues to spread its control over the national economy.
  • In Part III, Taggart (Laura Regan) and Rearden (Rob Morrow) come into contact with the man responsible for the strike whose effects are the focus of much of the series.
Yes, each movie had a separate cast: three Dagny Taggarts, three Hank Reardens, ... They were very low-budget productions: $20 M, $10 M, $5 M.

Adam Lee reviewed Atlas Shrugged and The Fountainhead in gory detail: Atlas Shrugged: A Novel for the 1%
 
Yes, the fantasy world where large corporations are run by genius engineers, who do all the actual work. Musk would like to put that on an endless loop in Twitter, Tesla, and the other business/playgrounds that he ignores.
 
Ironically, given Rand's beliefs about artistic production, past attempts to adapt these properties have often failed in part due to an inability to attract talent to the project.
 
Its all relative. The Fountainhead is way more readable than Atlas Shrugged. And We The Living is probably the most readable as it is relatively short.
 
Its all relative. The Fountainhead is way more readable than Atlas Shrugged. And We The Living is probably the most readable as it is relatively short.
She could certainly have benefited from the assistance of a decent editor.

Did nobody ever tell her that a single individual rarely produces excellent (or even merely good) work on their own, and that better results come from teamwork, collaboration, and cooperation?


Oh, wait...
 
I tried reading The Fountainhead. Wutta slog
Its all relative. The Fountainhead is way more readable than Atlas Shrugged. And We The Living is probably the most readable as it is relatively short.

Its all relative. The Fountainhead is way more readable than Atlas Shrugged. And We The Living is probably the most readable as it is relatively short.

I read "Atlas Shrugged" in college many years ago. Having read my father's collection of "Asounding Scince Fiction", i was well acquainted with bad science fiction. Which basically was what "Atlas Shruged" was. Parts of it were ham fisted propaganda that made me laugh. In the end, this is all it will ever be. It is as belivable as L. Ron Hubbard's "Battle Field Earth". Meanwhile in Chile, Bush's Gulch isn't the paradise promised.

 
Did nobody ever tell her that a single individual rarely produces excellent (or even merely good) work on their own, and that better results come from teamwork, collaboration, and cooperation?
What? Are you suggesting that Kira died in vain, and Roark would never have been able to get a building permit working by himself because he hadn't bothered to read the building code?
 
I kind of like Atlas Shrugged. It's got a real moody yet glitzy art deco feel to it. All billion pages of it. Reading AS with an open mind is a experience akin to being strung out on old timey opiates in the lobby of the Chrysler building, and arguing uselessly with strangers that Roosevelt is secretly more dependent on his wheelchair than "they" want you to think.
 
I loathe Family Guy and the oeuvre of Adam Sandler, and I would sooner watch a marathon of either than five seconds of this.
Rob
 
The Fountainhead: Once More Into the Breach
It’s enamored with the romantic notion of pursuing your own vision and refusing to compromise no matter the cost, but it seems less concerned with what that vision is. In one crucial scene, the hero agrees to – gasp! – design a public housing project for the poor. That heresy would have gotten him anathematized from Galt’s Gulch.
I looked for where Adam Lee stated that architecture is an odd place to follow some solo artistic vision, because of what one has to work with: what the clients want, features of the site, construction materials, building contractors, government regulations, ...
 
The Fountainhead: Once More Into the Breach
It’s enamored with the romantic notion of pursuing your own vision and refusing to compromise no matter the cost, but it seems less concerned with what that vision is. In one crucial scene, the hero agrees to – gasp! – design a public housing project for the poor. That heresy would have gotten him anathematized from Galt’s Gulch.
I looked for where Adam Lee stated that architecture is an odd place to follow some solo artistic vision, because of what one has to work with: what the clients want, features of the site, construction materials, building contractors, government regulations, ...
In Atlas Shrugged we learn that one person working more or less alone or more likely with a few hand-picked and trusted employees can build and run:

- A national railroad network
- A copper mine
- The largest foundry in history
- A philosophy department
- A pirate ship that only raids tax boats

It makes a lot more sense if you read it as fantasy in the first place.
 
About that last one, Atlas Shrugged: Terror on the High Seas
“Last night,” said the spinster, “I stayed awake because of the shooting. There were guns going off all night, way out at sea. There were no flashes. There was nothing. Just those detonations, at long intervals… Everybody down on the shore knows what it was. It was Ragnar Danneskjold. It was the Coast Guard trying to catch him.”

“Ragnar Danneskjold in Delaware Bay?” a woman gasped.

“Oh, yes. They say it is not the first time.” [p.145]

Hank’s guests have an As-You-Know-Bob expository conversation about the terrors of Ragnar Danneskjold, a modern-day pirate who’s been preying on shipping in the Atlantic Ocean. We’re told that “the People’s State of Norway” has offered a million-dollar reward for his head, that he seized a relief ship loaded with supplies for “the People’s State of France,” and that his ship is better than any in the navy of “the People’s State of England”.
Every nation but the US has been taken over by socialists, it seems.
“He’s been seen off Nantucket, too. And at Bar Harbor. The newspapers have been asked not to write about it.”

“Why?”

“They don’t want people to know that the navy can’t cope with him.”

“I don’t like it. It feels funny. It’s like something out of the Dark Ages.” [p.146]

Well put, nameless woman at Hank’s party! I agree. A pirate ship lurking off the coast, seizing and destroying commercial ships, sounds very much like something out of the Dark Ages. But it’s curious that Ayn Rand, of all people, should point that out.
A single raider evading the most powerful navy in the world? And air force, I must note. If there is anything that's been learned over the last century of naval-air combat, it is that ships are sitting ducks for air attacks. Even a World War I fighter plane will be able to outrun just about every warship ever built. That's what US General  Billy Mitchell tried to get his colleagues to recognize back in the 1920's. In fairness, it's possible for ships to defend themselves against aerial attackers, like have their own mini air forces: aircraft carriers.

Naval combat tactics have changed over the millennia. The first main tactic was ramming an enemy ship, but when guns became feasible enough almost half a millennium ago, ships' crews started installing lots of big guns in their ships. That gave rise to the broadside tactic, turning sideways so that all the guns on one side of the ship are aimed at an enemy ship. Guns got bigger and bigger, with battleships having huge guns mounted in turrets. Battleships were designed for fighting other ships, especially other battleships.

But it was in World War II that battleships' vulnerability to air attack became very evident. The largest battleship ever built, the Japanese battleship Yamato, never did any of the combat that it was designed for, being sunk by American air attacks. NOVA | Sinking the Supership | Yamato's Final Voyage (non-Flash) | PBS - 12 bombs and 7 torpedoes -- torpedo bombing was a common tactic in WWII, dropping torpedoes into the water near their targets.

The locations? Delaware Bay is mostly landlocked. Bar Harbor is on the coast of Maine, and Nantucket is on an island off the coast of Massachusetts. Bar Harbor is rather far from major seaports, Delaware Bay doesn't have any major seaports in it -- the nearest big city, Wilmington, is upriver - and that leaves Nantucket, which is actually close to some good shipping routes between New York City and Europe.

But a much better place to raid would be the mid-ocean, because help for the ships would be far away, unless the ships traveled in convoys guarded by warships, a common WWII tactic. There is also the problem of what to do with the commandeered ships. Where would they go? It would have to be some big seaport, but which one?

And why only one raider? Why not several? Stuff happens, and redundancy is good.
 
Adam Lee discusses numerous illogical things in AS and TF. Toward the end of AS, some of the heroes act as traffic cops in railroad yards when the signaling breaks, as if nobody has ever played traffic cop before.

Near the beginning, Dagny Taggart was riding one of her company's trains when that train stopped for a dark signal. She demanded that the train continue, over the objections of the train engineers, and that was supposed to show what forceful leadership he has and what sniveling cowards the engineers are. Even though that is just plain reckless. Contrary to what some libertarians seem to think, traffic lights have a good reason to exist, and trains have them also.

Then the speeches. Francisco d'Anconia gives a "money speech" about how the love of money is the root of all good. He delivers that speech without anyone interrupting him. Also not interrupted was Hank Rearden when he did a long speech at his trial in defense of his actions, a speech that the judges never interrupted.

In any sensible court of law, the judges and/or the prosecutors would object that much of those speeches' content was irrelevant, but someone got away with such speechmaking: Adolf Hitler, when he was being tried for leading the failed Beer Hall Putsch. The judges let him rant at length about how all he wanted was to make Germany great again, to restore the glories of Imperial Germany, glories destroyed by the traitors who now rule Germany, traitors who had stabbed their nation in the back.

There was a way to get something similar in AS: some judge sympathetic to the strikers lets HR rant, then not long afterward, he disappears, going off to Galt's Gulch.
 
A pirate ship more advanced than any warship in existence? Big ships us a lot of fuel oil. Where would such a ship get oil? And food for its large crew? Bad fiction! Bad fiction!
 
A pirate ship more advanced than any warship in existence? Big ships us a lot of fuel oil. Where would such a ship get oil? And food for its large crew? Bad fiction! Bad fiction!
Yes, and what would be the home ports of such a ship?

 Warship - the mrain premodern tactics were ramming and boarding. In the 16th century, big guns became common, and in World War II were the first battles without direct ship-vs-ship battles, like the Battle of the Coral Sea.

How fast can boats and ships travel?

The Fastest Warships of World War 2 - Navy General Board - up to 45 knots (83 km/h, 52 mph) for the smaller ships (~5,500 tons) and 35 knots (65 km/h, 40 mph) for the larger ships (~32,000 - 57,000 tons).

Top 10 Fastest Navy Ships in the World - Owlcation - the fastest ones are all small ones, as much as 65 knots (119 km/h, 74 mph) for a 13-ton boat, 60 knots (110 km/h, 68 mph) for a 274-ton boat or ship, and 45 knots (83 km/h, 52 mph) for a 3,500-ton ship (metric tons or megagrams).

A typical speedboat can go as fast as 55 knots (102 km/h, 63 mph), though such boats' speed record is 275 kn (509 km/h, 316 mph).

I've been using "ship" for anything large enough to live inside of, with facilities for sleeping, preparing food, etc., and boat for anything too small for that. Another definition is that a ship is big enough to carry a boat.

What is The Speed of a Ship at Sea?
  • Bulk Carriers – 13 to 15 knots - for iron ore and the like
  • Container Ships – 16 to 24 knots
  • Oil and chemical tankers – 13 to 17 knots
  • RORO vessels – 16 to 22 knots - roll-on-roll-off for carrying vehicles
  • Cruise Ships – 20 to 25 knots
WWII-era ocean liners like the Queen Mary could travel at 30 knots (56 km/h, 35 mph). Present-day coast-guard cutters can travel at similar speeds.

Fastest Cruise Ships and Ocean Liners in the World - Owlcation - typically around 30 knots.

Strictly speaking, ocean liners != cruise ships, though a ship can do both types of service. Ocean liners are transoceanic ferryboats designed for speed and traveling through bad weather, and cruise ships are designed for the experience of traveling aboard them, though first-class ocean-liner accommodations had almost a cruise-ship experience.
 
Hitler's Trial Speeches for having led the Beer Hall Putsch.

"But I cannot plead that I am guilt of high treason; for there can be no high treason against that treason to the Fatherland committed in 1918..."

In effect, it's the Weimar Government that is the real traitors, the ones who stabbed their nation in the back.

"I do not feel like a traitor, but as a good German, who wanted only the best for his people...."

Make Germany great again.
 
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