All marketing campaigns start with, "Who is our target market?" That's the first question asked. Who do we want to buy this thing or this service, etc? Peloton has been around a while and it has skyrocketed into a company valued at around $1.4 Billion with about 1.4 Million users. I say "users" because it's actually a tech company, not an excersize bike company. Or so they claim.
The bikes cost around $2,000, but it's the subscription service to trainers that pop up on your bike's screen that evidently has everyone enthralled.
So, aside from the interesting take
from Fast Company regarding the possibility that the marketing team is trolling, this ad is aimed primarily at young professional women who "want it all"; family, beautiful home, loving attentive husband (who will buy them what they want the most), etc.
It's
no great secret that women dominate most cycling (or "spin") classes in gyms by an almost 10:1 ratio, if not higher. I haven't been able to find very specific demographic breakdown of Peloton customers, but
here's a BIG indicator from the CEO in 2016:
I mean, that's pretty much exactly what we see in that ad. I don't know precisely how old the couple are supposed to be, but they certainly seem to be their mid thirties at least.
And, again, that was from 2016, so this is clearly a demographic they've known about and been focusing on for some time.
, maybe I can call that person the main protagonist in this case, and not also (perhaps equally?) the not-so-much-of-a-protagonist person who might be tempted to buy ‘people like the protagonist’ the product, for Christmas?
Bearing in mind the additional layer of possibility that the ‘targeted protagonist’’, if motivated by the ad, might play an active role in the process (the response to the ad) by dropping pre-Christmas hints to their partners.
If that's your way of asking, "Did they also target the husband," yes, of course, and, again, barring Fast Company's take on it--which I'm not ruling out (there is a whole school of thought on negative ads we can get into; like the deliberately annoying jingle that because it's annoying, it sticks in your head), but, again, listen to the added in expositional phrase about "first rider" just after the "It's a Peloton!" exclamation.
When editing together an ad, there are, of course, certain time constraints depending on where the ad will be aired (e.g., on TV as opposed to online or the like). Depending on the director/creative team, not every ad is perfectly storyboarded, meaning perfectly planned out before shooting. You know you want this shot and that shot and this dialogue and that dialogue, etc., but nothing matters until you're in the editing bay.
Most people don't understand this, but the movie is both literally and figuratively made in the editing bay and its there where you can either be Hitchcock (who famously planned EVERYTHING out in his storyboards and the editing--and filming--was just rote) and someone like Paul Thomas Anderson,
who finds all kinds of surprises in the editing phase that can even radically change the storyline.
Anyway, listen to that ADR. It is abruptly placed--awkwardly so--right up against the "It's a Peloton!" even to the point of cutting off or into the "n" of Pelton. Generally speaking, you never want to cut off or into the expression of the actual client's name in any ad, so that means there was a deliberate insistence or necessity from someone--most likely after the initial edit--that told the creative team that they needed to get that line in there no matter what.
That's my guess, of course, but I've done it enough times myself to know what that is.
Most people also don't know that you can't just put in a line like that. You have to fit it in and make it seem organic, which, again, if you listen to it a few times you can hear that it's not. It was forced and not, imo, deliberately (i.e., meant to sound like that from the start). It sounds like, again, it was something put in after the final "rough" edit (the version the team will then present to the client for final notes before the final final version) and someone pointed out that it needed expositional clarification about her being a "first rider."
Again, I could be wrong and Fast Company's take is closer to the truth, but like I said, all you have to do to make the ad make perfect sense is put in "You remembered!" (or something to that effect), where that other line is and it instantly becomes an add that is perfectly in line with what the CEO was talking about back in 2016.
ETA: Much focus has also been placed on the actress's expression in one of the initial scenes of her on the bike, but that is in regard to her being excited about starting her journey, not about her feeling trapped or ambushed or the like. There is an attempt, at least, at a character arc, but it's a fucking commercial, so there's not exactly a whole lot of time to develop a character.
She goes from total amateur--"first time rider!"--to elite Olympic-class athlete (effectively) all in 30 seconds ffs. So, you know, corners have to be cut and shorthand expressions have to be used.