Jarhyn
Wizard
- Joined
- Mar 29, 2010
- Messages
- 15,597
- Gender
- Androgyne; they/them
- Basic Beliefs
- Natural Philosophy, Game Theoretic Ethicist
Except it wasn't determined in advance. It was determined exactly in the moment the determination happened. The moment those preconditions hit the agent, such that the agent processed them into the actual jazz compositions, is the moment in which the determination happened.Indeed. As it was. Jazz compositions are not produced ex nihilo. You wouldn't even be able to recognize it as "jazz", if it did not proceed sequentially from previous compositions and interpretations, that were also described as "jazz". Do you know why no one can tell you who composed the first jazz composition? Because there wasn't one. Over time, new musical genres come slowly into being, while others disappear or become one of many inspirations that led to the next. But that doesn't mean "the big bang composed it". If your belief is that a musical composition must have a single Author whose unique genius solely and exclusively composed it, the error is in your thinking, not in whom you ascribe that mystical superagency to. If you approached the musician in question in quieter times, when they weren't already thinking about free will, and simply asked them relevant questions about the ultimate composition of the work - when they first picked up their instrument, what it was like to learn it, who taught them to play, what artists inspired them, who wrote the original piece they are interepreting, who crafted their current instrument and why they chose it from the workshop, why their instrument plays in certain keys and not others or can achieve one type of transition and not another - they'd not only be capable of explaining some of the previous causal factors, but actually eager to do so. It was the assault to his ego that made the musician violently angry, not true ignorance as to the history of jazz. Everyone who plays knows that they are the next step in a long line of players.He said the jazz composition was determined “in advance.”Coyne didn't say what you did, though.
None of that makes music somehow free of cause and effect, nor should we see it as taking away from the authorship of a given piece of music. Insisting that you are only the author of an interpretation if you effected a universe-breaking miracle in order to create it is setting the bar far, far too high. It's enough that he was the first player to produce that particular performance. You need no other reason to call him the author of that improvisation.
It would not happen without the agent.
There is no "fate" involved there which has written 'he shall compose THIS' before the composition. The composition itself happens, and it happens as a result of the jazz musician making a decision.
Before the particles collide, they are not particles that have collided, they are particles that are going to collide. The collision doesn't happen until it happens, though, and the determination is a matter of course, but still is the moment in which decision happened even if the preconditions were fixed by their own preconditions and so on back in time. The event itself is the decision of the result.