Jimmy Higgins
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- Jan 31, 2001
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Ultimately, I think it comes down to producing. In Hollywood, the safe play is to always bet on White. And the big bucks are almost all white. Tyler Perry is one of the outsiders as far as not white money (and he is worth something like $600 million!?!).Yeah, blacks think they have it hard? People, including Hispanics, will be hard pressed to name 5 Hispanic protagonists in US films (you can only use Jennifer Lopez once). The best Hispanics can hope for is a quality Hispanic antagonist... gang or drug related. Off the top of my head I can think of is... you know... that person Jennifer Lopez played.As far as Latinx representation goes - I heard more about Coco (also from Disney) than I usually do for movies. And Luis (the guy from Ant-Man) did get the same sort of redemption that Lang did - and given that it was almost entirely comedic and cookie-cutter anyway, yeah Marvel could do better here, but...eh, there's other studios to glare at first.
Heck, even in Costa's Missing, the main characters are all white Americans... in a movie taking place in South America!
As Reign of April says, there's a reason why the movement is "#OscarssoWhite" rather than "#Oscarsnotblack".
And unlike the Grammies, "Academy Award Winner" does carry quite a bit of weight in Hollywood, so this one does matter. And it also matters for the staff that that actor/actress/director prefers, which can mean equal opportunities for lighting, makeup, hair stylists, stunt doubles, and so forth.
So we end up having all of these white people producing moving stories about white people starring white people. It is so engrained in our minds that if you make Annie black, some people lose their shit thinking that blacks have taken over Hollywood.