Blue poles is an abstract expressionist painting by American artist Jackson Pollock and its current home is the National Gallery of Australia (NGA).
The piece was bought under the Acting Director of the NGA James Mollison, in 1973 for $1.3m (about US$7.5m in 2020 terms). The purchase approval went all the way to the Prime Minister himself, as the director was not authorised to make purchases over a million dollars. When the purchase--and its price--were made public, there was an absolute sensation. The controversial purchase made front-page news across the country. At the time, no contemporary painting by an American had ever fetched such a price. Before the NGA bought it, MoMA called it (Blue poles) ‘the most important post-war American painting still in private hands’.
In 2016, Blue poles was estimated to be worth around US$350m while it was on loan to the Royal Academy of Arts in London. It may be valued at less now if the prestige art market has taken a hit. But, if treated as a financial investment, it was certainly a lucrative one--if it were actually to be sold.
What should governments do when they own great pieces of art like this? Does it say something negative about Australia that the most valuable single piece of art in the country (and surely in the world) is by an American artist?
The first time I saw Blue poles, I was an 11 year old schoolboy. Many years later, I returned to Canberra and saw it again, and I knew I was looking at an astonishing triumph of art. But I also think: if somebody else owned this painting, would I want the NGA to pay $US350m to buy it for Australia? My feeling is no: I don't think the NGA should pay US$350m for it. I know having it is different to buying it, and yet if someone were to press me on this, I'm not sure I could justify the difference. The NGA does not make any money from Blue poles--entrance to the NGA is free.
I don't know if this belongs in Political Discussions; I looked for a suitable place in philosophy yet it is also political. But it's also not just about Blue poles, of course, but I'm using it as a springboard.

The piece was bought under the Acting Director of the NGA James Mollison, in 1973 for $1.3m (about US$7.5m in 2020 terms). The purchase approval went all the way to the Prime Minister himself, as the director was not authorised to make purchases over a million dollars. When the purchase--and its price--were made public, there was an absolute sensation. The controversial purchase made front-page news across the country. At the time, no contemporary painting by an American had ever fetched such a price. Before the NGA bought it, MoMA called it (Blue poles) ‘the most important post-war American painting still in private hands’.
In 2016, Blue poles was estimated to be worth around US$350m while it was on loan to the Royal Academy of Arts in London. It may be valued at less now if the prestige art market has taken a hit. But, if treated as a financial investment, it was certainly a lucrative one--if it were actually to be sold.
What should governments do when they own great pieces of art like this? Does it say something negative about Australia that the most valuable single piece of art in the country (and surely in the world) is by an American artist?
The first time I saw Blue poles, I was an 11 year old schoolboy. Many years later, I returned to Canberra and saw it again, and I knew I was looking at an astonishing triumph of art. But I also think: if somebody else owned this painting, would I want the NGA to pay $US350m to buy it for Australia? My feeling is no: I don't think the NGA should pay US$350m for it. I know having it is different to buying it, and yet if someone were to press me on this, I'm not sure I could justify the difference. The NGA does not make any money from Blue poles--entrance to the NGA is free.
I don't know if this belongs in Political Discussions; I looked for a suitable place in philosophy yet it is also political. But it's also not just about Blue poles, of course, but I'm using it as a springboard.
