Modal fallacy? Wow, that's scraping the bottom of the barrel.
No, it’s actually the cream of the crop. Your constant employment of a logical fallacy is the root of your misunderstanding.
The given definition of determinism is straightforward. It's not controversial. The conditions within such a system in relation to how the system evolves, no deviation, no alternate action, no choice, is irrefutable.
Your objections have no merit.
You, yourself said as much; Jarhyn - ''a deterministic system is a system in which no randomness is involved in the development of future states of the system.''
Right, no randomness, etc … and, so?
Anyway, you’re in good company in your mistakes, I guess, if you’d call Jerry Coyne good company. He’s a hard determinist like you, and over at his blog,
he’s braying about Sopolsky’s book.
It’s funny about Coyne, he‘s always talking about how important free speech is, how vital it is that we support it. It’s funny for two reasons: one is that he bans, at the drop of a hat, anyone who displeases him in the comments section of his blog; and two, and more important, how the hell does he think we have free speech, if we don’t have free will? According to his metaphysics, we’re just ventriloquist’s dummies of the Big Bang!
But that’s your position too, right? We’re just Big Bang meat puppets? Perhaps you recall that I asked you how it is, when a great work of architecture is produced, that architect had nothing to do with it, according to you? Who did, then? The Big Bang? Does the Big Bang build buildings, write symphonies and novels, produce great paintings, etc.? I guess you think it does — but how? Magic?
Making us meat puppets of the Big Bang is exactly like making us meat puppets of God. It’s a religious stance, unsupported by evidence.
But don’t worry, Coyne is quick to make the same mistake. In his blog post he tells a little anecdote about a how an improv jazz musican got pissed at Coyne for telling him his notes were decided “in advance.” I’d get pissed, too, at such an asinine comment. Decided HOW, Jerry,
HOW?
Obviously, the musician produced the notes, the architect the building, etc. They were PART OF the deterministic process. They determined, based on antecedent events, what to do next. The musician, at any juncture, was confronted by a choice between note A and note B. Two different choices, two different patheways equally open to him. Given his genes, upbringing, personality, training, and lot of other things, some of which (but not all) were admittedly beyond his control, let’s say he chose A, and with it, the start of a great improv. A lesser musician with a different background might have chosen B and made a clunker. The upshot, though, is that given his antecedents, we can perhaps guess that the musician WILL choose A, but this is not the same thing as MUST choose A, and your constant claim that it is the same is THE MODAL FALLACY.