They'd probably be pissed off that you can't get a Coke for a nickel, any more.I can't help but wonder about the reaction of one of our cousins from 22K years ago were brought to the present and dropped into any Walmart in the country.
They'd probably be pissed off that you can't get a Coke for a nickel, any more.I can't help but wonder about the reaction of one of our cousins from 22K years ago were brought to the present and dropped into any Walmart in the country.
I still stand by my previous statements that perceptions of beauty are largely cultural and also often particular to an era. This worship of ultra thin, ultra toned bodies is relatively recent. One need only examine the works of many classical artists, or even look at films from 50 years ago or earlier, as well as examine adverts from prior to the late 1960's to see that I am correct.
While, true there's an underlying message here, ie we can chose to see diversity as beautiful... or something along those lines. But that's nonsense. We have an instinctual drive to place people in hierarchies and try to aim for as high as we think we can get (both to sleep with and to be). Whatever body is hard to achieve, and which signals health, is whatever we will place at the top of the hierarchy. That is a common thread in all cultures view of beauty. In cultures where starvation is an issue plumpness has been seen as attractive. Those cultures didn't embrace body diversity any more than we did. Historically there's been absolutely grotesque traditions of force-feeding young women to make them more desirable to men. It wasn't any easier back in the 50'ies either and there's nothing in your line of argument that would suggest we have any ability to manipulate what makes us attracted to anything. In all cultures in all ages there has been one constant message... you're not ok the way you are. Just check out clothing for people of high status. Absolutely bizarre creations, in order to force the bodies into unnatural positions in order to make themselves hyper-attractive in various ways. This has been especially true for high status women.
Oh... and symmetrical faces and bodies. Those are also always high up in the hierarchy of beauty. We have no control over that desire either.
i think you and seemingly everyone else puts a hell of a lot more weight into fashion than it deserves.so fashion never changes?
see above.advertising doesn't work?
you're acting like the two are mutually exclusive in some way.In ten years we went from Marilyn Monroe to Twiggy but what is aethetically pleasing cannot be changed?
within the current american *media* aesthetic slimmer is considered more beautiful, but last i checked for the last 20,000 years or so if you're a woman whether you're thin or you're fat is utterly irrelevant to your capacity to get laid and have someone think you're hot (unless you're just flat out and out *ugly* which is entirely different problem to being fat or not)Within the current American aesthetic, thin is hot but so are big butts and huge breasts.
it really isn't, people like you just seem to really enjoy pretending that it is.In other words, it's all complicated.
The ideal body type of any culture is a composite of health and wealth.
The Greeks sculpted warriors because wealth came from conquest and conquest came from lean muscled fighters. The balloon animal look is something that only appeals to other balloon animal types. To most women, it seems narcissistic and it's not a particularly healthy life choice.
When most people worked in the fields and bordered on malnutrition, the ideal of beauty was skin so white, blood vessels were visible under the skin. We called them "blue bloods." When working class people moved from the fields to poorly lit factories, it did little to improve their health, but it did make them pale. The ideal of beauty became a nice rich tan.
There was a time before that, when health and wealth had different meaning. This is the Venus of Willendorf. View attachment 2452
Some people think this little stone figure is 24,000 years old. I know some women who look very much like this figure, but I doubt the sculptor of this piece did. He or she obviously understood his subject very well. The detail is very nice, but I don't understand why there are no facial features.
It's strange to think that 24 millennia ago, morbid obesity would have been seen as a blessing. Humans are no smarter today than they were in those days. Their powers of observation were just as sharp as ours. One thing they would know for certain, thin emaciated women had flat breasts, a boney ass, and never got pregnant. This is still true today. When a woman's body fat drops too low, she stops ovulating.
Little is known of the social structure of those people, but the Venus of Willendorf offers an intriguing window into their world. Maybe children were desired and valued. Maybe the hunter(or tribe) who could provide a rich enough diet for their women to ensure fertility, enjoyed high status.
I can't help but wonder about the reaction of one of our cousins from 22K years ago were brought to the present and dropped into any Walmart in the country.
It represents an archetype, not a physical ideal. If you look at the paintings os say, the Dutch Masters, you will sees my representations of female beauty that we would consider to be fat. He'll, Sophia Loren would be regarded as 'too fat' by many
recent studies indicate many, if not most, ancient peoples art may have been done by women:It's strange to think that 24 millennia ago, morbid obesity would have been seen as a blessing. Humans are no smarter today than they were in those days. Their powers of observation were just as sharp as ours. One thing they would know for certain, thin emaciated women had flat breasts, a boney ass, and never got pregnant. This is still true today. When a woman's body fat drops too low, she stops ovulating.
Little is known of the social structure of those people, but the Venus of Willendorf offers an intriguing window into their world. Maybe children were desired and valued. Maybe the hunter(or tribe) who could provide a rich enough diet for their women to ensure fertility, enjoyed high status.
http://news.nationalgeographic.com/news/2013/10/131008-women-handprints-oldest-neolithic-cave-art/
bouncing off that, a fairly logical seeming theory that the willendorf type statues are actually "self portraits", because if you're working looking down at your pregnancy and you've never actually looked at yourself before, you very well may come up with exactly that.
http://faculty.ucmo.edu/ldm4683/6.htm
Chances are we will not go back to a culture like that: we've seen how hot people can actually get, and you can't un-see that.
Maybe. But I was still much more attracted to Robin Williams when he was alive than Brad Pitt. I've also never been attracted to overly muscled men. They look like cartoons to me. Funny, smart guys who love kids and animals and who are kind and decent : that's hot to me. Bonus if they can cook. Double bonus if they are good at home repairs.
i think you and seemingly everyone else puts a hell of a lot more weight into fashion than it deserves.
see above.advertising doesn't work?
you're acting like the two are mutually exclusive in some way.In ten years we went from Marilyn Monroe to Twiggy but what is aethetically pleasing cannot be changed?
you know, there's a middle ground between "you're so skinny i can see your bones" and "you're so fat i couldn't find your hip bones with a dousing rod and a depth gauge"
what is attractive to people isn't a single point on a ruler, it's a sliding range that encompasses several points - one could find both monroe *and* twiggy equally attractive, and whichever one happens to have the eye of the zeitgeist at the time doesn't mean fuck-all about what society has declared is the ideal body type.
pro tip: go into any kitch novelty store and you'll find posters of marilyn monroe, to this day still seen as an icon of beauty. you can't go to spencer's and find a twiggy poster though, i'll tell you that much.
within the current american *media* aesthetic slimmer is considered more beautiful, but last i checked for the last 20,000 years or so if you're a woman whether you're thin or you're fat is utterly irrelevant to your capacity to get laid and have someone think you're hot (unless you're just flat out and out *ugly* which is entirely different problem to being fat or not)Within the current American aesthetic, thin is hot but so are big butts and huge breasts.
it really isn't, people like you just seem to really enjoy pretending that it is.In other words, it's all complicated.
It represents an archetype, not a physical ideal. If you look at the paintings os say, the Dutch Masters, you will sees my representations of female beauty that we would consider to be fat. He'll, Sophia Loren would be regarded as 'too fat' by many
How does an archetype differ from an ideal, for the purposes of this discussion?
1: the original pattern or model of which all things of the same type are representations or copies : prototype; also : a perfect example
2: idea
3: an inherited idea or mode of thought in the psychology of C. G. Jung that is derived from the experience of the race and is present in the unconscious of the individual
Chances are we will not go back to a culture like that: we've seen how hot people can actually get, and you can't un-see that.
And, regardless, we are living in this era and this culture.
While, true there's an underlying message here, ie we can chose to see diversity as beautiful... or something along those lines. But that's nonsense. We have an instinctual drive to place people in hierarchies and try to aim for as high as we think we can get (both to sleep with and to be). Whatever body is hard to achieve, and which signals health, is whatever we will place at the top of the hierarchy. That is a common thread in all cultures view of beauty. In cultures where starvation is an issue plumpness has been seen as attractive. Those cultures didn't embrace body diversity any more than we did. Historically there's been absolutely grotesque traditions of force-feeding young women to make them more desirable to men. It wasn't any easier back in the 50'ies either and there's nothing in your line of argument that would suggest we have any ability to manipulate what makes us attracted to anything. In all cultures in all ages there has been one constant message... you're not ok the way you are. Just check out clothing for people of high status. Absolutely bizarre creations, in order to force the bodies into unnatural positions in order to make themselves hyper-attractive in various ways. This has been especially true for high status women.
Oh... and symmetrical faces and bodies. Those are also always high up in the hierarchy of beauty. We have no control over that desire either.
so fashion never changes?
advertising doesn't work?
In ten years we went from Marilyn Monroe to Twiggy but what is aethetically pleasing cannot be changed?
Within the current American aesthetic, thin is hot but so are big butts and huge breasts.
In other words, it's all complicated.
so fashion never changes?
advertising doesn't work?
In ten years we went from Marilyn Monroe to Twiggy but what is aethetically pleasing cannot be changed?
Within the current American aesthetic, thin is hot but so are big butts and huge breasts.
In other words, it's all complicated.
The difference between Marilyn Monroe to Twiggy has to do with what sort of a lifestyle has high status (for women). There was one revolutionary event that took place in the 60'ies that is the main driver for this change in status. There's been tonnes and tonnes of studies on this, so I won't bore you with the variety of theories (feminist theories and otherwise). But a popular theory is this; Marilyn Monroe was the pinnacle of status for a society where being a housewife to a successful man was the best a woman could do. Monroe's body signals everything a high fertility women has, without being over-weight. Wide hips, big tits, and a narrow waist. Which signals health and youth.
Twiggy's body is a body of fun. It's a body of self control. It's a body of someone who doesn't sacrifice herself for a man. Twiggy is the kind of girl who is young and on the pill. The birth control pill is the revolution. Twiggy is skinny because all trends are dialectic. The new trend is a reaction to the old. If Monroe was a voluptuous girl, twiggy has to be the radical difference to this. This is a pattern in all trends. But extremely obvious in fashion. In the 70'ies big tits were back in vogue for women. Braless big tits at that. Happily swinging and free. 70'ies fashion was a reaction to the high degree of control that 60'ies fashion exuded.
The 60'ies shift in bodies of women is not just the pill. It's a general trend of women taking control of their lives that goes right back to late 19'th century feminists. In the 1920'ies the big revolution was for women to lose the corset.
Anyway... this stuff is not hard to look up if you're interested. Either way, it doesn't give any weight to your theory about body diversity as an aesthetic ever having a chance. In each age and time there's always just one body image that is seen as the most beautiful. The vast majority of women could never look like either Marilyn Monroe or Twiggy no matter how hard they tried.
Today the most beautiful body for both men and women is the athletes. Muscular and toned. Does anybody disagree with this?
Today the most beautiful body for both men and women is the athletes. Muscular and toned. Does anybody disagree with this?
yes.
Alot of people.
alot of people also agree.
why is it so important that everyone agree? Do some people here need to hate on fat people?
yes.
Alot of people.
alot of people also agree.
why is it so important that everyone agree? Do some people here need to hate on fat people?
My argument is that we have no choice. It's instinct. Animal sexual drives are among the strongest of any species. Sexual instincts in humans are of course no different. Everybody agrees... because we're genetically programmed to. There is no way for us to have any other opinion. All the variation historically of high-status bodies prove is that what we find attractive is variable based on cultural factors. But it's still instinct. We can't have another opinion no matter how hard we try.
As long as food is consistently plentiful over-weight will be low status. The only way to change this is to somehow introduce mass starvation again. But maybe most importantly, it's a hierarchy. If plump is up toned is down. It'll always be unfair to somebody. Trying to change peoples opinion via media or public opinion is a waste of time.
If the media can not change minds, why is being an avowed racist a bad thing in the south? Why can't you smoke in bars anymore? To say that media can't change minds would be akin to saying that introduction of information cannot change minds.
Is that true? Once someone thinks something, they can never change their minds, never be convinced of something else?
so fashion never changes?
advertising doesn't work?
In ten years we went from Marilyn Monroe to Twiggy but what is aethetically pleasing cannot be changed?
Within the current American aesthetic, thin is hot but so are big butts and huge breasts.
In other words, it's all complicated.
The difference between Marilyn Monroe to Twiggy has to do with what sort of a lifestyle has high status (for women). There was one revolutionary event that took place in the 60'ies that is the main driver for this change in status. There's been tonnes and tonnes of studies on this, so I won't bore you with the variety of theories (feminist theories and otherwise). But a popular theory is this; Marilyn Monroe was the pinnacle of status for a society where being a housewife to a successful man was the best a woman could do. Monroe's body signals everything a high fertility women has, without being over-weight. Wide hips, big tits, and a narrow waist. Which signals health and youth.
Twiggy's body is a body of fun. It's a body of self control. It's a body of someone who doesn't sacrifice herself for a man. Twiggy is the kind of girl who is young and on the pill. The birth control pill is the revolution. Twiggy is skinny because all trends are dialectic. The new trend is a reaction to the old. If Monroe was a voluptuous girl, twiggy has to be the radical difference to this. This is a pattern in all trends. But extremely obvious in fashion. In the 70'ies big tits were back in vogue for women. Braless big tits at that. Happily swinging and free. 70'ies fashion was a reaction to the high degree of control that 60'ies fashion exuded.
The 60'ies shift in bodies of women is not just the pill. It's a general trend of women taking control of their lives that goes right back to late 19'th century feminists. In the 1920'ies the big revolution was for women to lose the corset.
Anyway... this stuff is not hard to look up if you're interested. Either way, it doesn't give any weight to your theory about body diversity as an aesthetic ever having a chance. In each age and time there's always just one body image that is seen as the most beautiful. The vast majority of women could never look like either Marilyn Monroe or Twiggy no matter how hard they tried.
Today the most beautiful body for both men and women is the athletes. Muscular and toned. Does anybody disagree with this?
Today the most beautiful body for both men and women is the athletes. Muscular and toned. Does anybody disagree with this?