Do the Gospels belong in a "GENRE" of literature which makes them necessarily "FICTION"?
I'm not impressed by Lumpenproletariat's spews. I haven't seen in them anything close to a discussion of modern scholarship concerning the origin of the Gospels. No discusssion of:
• We have no clue as to who "Matthew", "Mark", "Luke", and "John" were.
You mean we don't know who the authors were, assuming those named persons are not the authors. Why should anyone have sleepless nights over this? Even when authors are named, we still know hardly anything about them. We know who Philostratus was, sort of -- he names himself in his biography of Apollonius of Tyana, and yet that doesn't make his miracle tales any more credible.
We have good reason to believe those Apollonius stories are fiction, whereas the Jesus miracle stories are probably factual, because we have
4 sources for them instead of only one, and they are written within decades of the reported events, whereas the Philostratus stories date 150 years later than the reported events. What's important is the evidence, not whether we have an author's name. How does having the name of an author make the account any more credible?
They don't identify themselves in the text, and . . .
The historical persons Matthew, Mark, Luke, and John are identified.
If all you're saying is that the Gospels are "anonymous," we've hashed over this many times and no one has shown how the accounts are any less credible just because they're anonymous. Those raising this point have been asked again and again to explain why an "anonymous" account is any less credible, and no one has answered why.
. . . and those names are a later tradition.
You mean the Gospels were attributed to those names later, which is possible, but we don't know that. It may be that shorter versions of the original Gospels were actually written by these persons as the authors, but then later text was added to those original writings, so that what we have now might be mostly later additions to the original Gospels of Mt, Mk, Lk, and Jn.
But even if the attributions to Mt, Mk, Lk, and Jn are false, this does not undermine the credibility of the Gospel writings, which do not include any attribution to these persons.
We don't know the answers to this, and "modern scholarship" has shed no new light on it. Why does it matter that the identity of the authors is uncertain?
If you're complaining that these writings are "anonymous" and this buzz-word frightens you -- well, others are not frightened by it. No one has given any reason why we should be afraid of a source just because it has the "anonymous" label attached to it by crusader-debunkers who are desperate to find some flaw in these writings. This is not a flaw -- those crusaders need to come up with something of substance instead of mindlessly throwing around the "anonymous" label again and again.
• Matthew and Luke plagiarized Mark very heavily, making word-for-word copies of much of that gospel.
Only a small fraction is word-for-word quotes. And even so, it doesn't make Mt and Lk any less credible. There is nothing wrong with quoting a previous source. This only shows that they were careful to take account of what earlier sources said, rather than just relying on their own memories and current oral reports only.
• Either Matthew and Luke plagiarized an additional source, "Q", or else Luke plagiarized Matthew also.
Despite your glee at repeating the buzz-word "plagiarized" again and again for bombastic effect, the truth is that there's nothing wrong with a document quoting an earlier source. How does this make a source less credible? Instead of just repeating over and over that they used earlier sources, why not for once give a reason why using a previous source makes the account any less credible.
• The Gospels are very bad at giving sources, and even worse at discussing them.
Very few ancient writings give their sources. There's usually no need to, and yet they are still reliable as sources for historical events. One conspicuous example of a book which gives its source is II Maccabees, and yet this book is of lower credibility compared to others which give no source and are anonymous. So giving the source does not mean higher credibility.
We do not demand that the history writers for 1000+ years ago give their sources. We believe them without knowing their sources. Even if it's true that the more famous historians usually mention something about their sources, this is a minor part of their writing, and they still do not provide the sources individually for most of their particular facts. So when you read a particular fact in Tacitus or Josephus or Suetonius, etc., there is usually no source given for it. We just believe them and assume they have some source for it -- maybe only popular beliefs or rumors floating around, which could be reliable. It's reasonable to believe them even though they usually don't give us the source.
Every source -- even ONLY ONE -- is evidence.
And what good is a "source" if you don't know the "source" for this "source"? The demand for a "source" is really a form of circular logic: If you disbelieve the document/source in front of you, then why wouldn't you also disbelieve any "source" which this "source" might be relying on? and the "source" for that source, and so on? However, if you trust the source you're reading directly, because it is itself one source, then it makes sense that even further sources add more weight to the evidence.
So it makes no sense to say "This source itself can't be trusted unless it names a source" = circular logic. Rather, it makes sense to say "This source itself is evidence, and if even more sources agree with it, then that's even more evidence."
So just one source/document by itself is evidence. A document from the time saying
x,
y, or
z happened, is evidence for
x,
y, or
z, and then if there are further documents also saying it, that increases the evidence for it. But if you reject the document in front of you because there's no "source" for it, then you have to reject ALL documents and sources, because ultimately any document must trace back to an original "source" for which there is no earlier source. So don't make a mindless religion out of sources by saying that a source which doesn't name its source has no credibility and must be fiction.
• The Gospels use lots of direct speech (lpetrich said "I am writing a post") as opposed to indirect speech (lpetrich said that he is writing a post), making them much more like fictional works than like historical works.
No, Herodotus and Livy are historians who used many "direct" speech quotes, like the gospel accounts. Josephus, by contrast, avoids quoting characters. This is not about "fictional" vs. "historical" works, but about differing style of writing from one author to another, or from one part to another within the same source or author. It's optional which style to use -- it has nothing to do with whether it's fictional or factual.
(The term "indirect speech" is somewhat meaningless, because many passages saying person A influenced person B can be interpreted as "indirect speech" because it implies someone said something. E.g., here are 3 random passages from Josephus I came across in a very brief scan of a couple pages (
Jewish War I, 524-527:
he would first proclaim to the world the sufferings of his nation, bled to death by taxation, and then go on to describe the luxury and malpractices on which . . .
. . . Eurycles proceeded to extol Antipater to the skies, as the only son who had any filial affection, . . .
Antipater, seizing this new opportunity, privily sent in others to accuse his brothers of holding clandestine interviews . . .
On and on there are easily hundreds of these, probably thousands, where someone apparently expressed something to someone else, proclaiming, describing, extolling, accusing, etc., always meaning words were spoken. Are these all "indirect speech" examples? This shows that "indirect speech" is really a subjective term you could apply or not apply to something remotely resembling a quote being attributed to someone.
Perhaps the Gospels don't use such phrases very much -- there's no way to objectively count the number of these -- but it's nutty to suggest this means they are less credible or more fictional. It would be OK to say Josephus and other historians use more style than the Gospel writers in describing the behavior of characters. But that doesn't make them more credible or less fictional.
The Gospels put extra focus on the one Jesus Christ figure, to put him at the center of everything, while making the normal humans less important, and so giving less emphasis to their words and motives. This is appropriate if Jesus actually did perform the miracle acts, which then drew the extra attention to him, making him the basic subject matter of these writings. It's this specialized focus in these writings which explains the choice of literary device used to communicate the message. It has nothing to do with the credibility or fact-vs.-fiction of the content.)
Even if many of the Bible "direct speech" quotes are really the words of the author and not the character named, or are a loose paraphrase of what the character might have said, this does not undermine the credibility of that Bible account. Of course there are credibility questions with many texts, such as whether some of it is fiction, but these cases have nothing to do with whether "direct" or "indirect" speech was used by the author.
In addition to Livy and Herodotus, Cicero uses many "direct speech" quotes, but that doesn't make him "fictional" rather than a legitimate source for historical information. He's generally reliable for historical facts even though he's not a certified "historian." Such "direct speech" quoting in no way undermines Cicero's credibility as a source for history, nor that of other writers such as the Gospel writers.
• The Gospels use a third-person-omniscient perspective instead of a first-person limited-knowledge perspective, also more like fictional works than like historical works.
No, historical works used the "third-person" perspective much more than the "first-person" perspective. Also their total use of the "third-person" perspective is far greater than that of the Gospel writers. This is not some kind of flaw which they redeem themselves from by also including some "first-person" perspective which the Gospel writers do not.
It's a false comparison to measure the Gospels by the standards of the official "historical" writers, because the former are much shorter works and of much less total quantity compared to the historical writers who provide some personal background within their far greater quantity of total text, so that within this large output they include some pages explaining their background and relationship to the information. Their much greater total output allowed for some space to be devoted to this personal background about themselves.
Mainline historians: more broad, comprehensively historical
Gospel writers: shorter, narrowly focused on one special event
No essential difference in credibility
The Gospels are focused in on one special event in history and its unique importance, not the broad historical scene, or an overview of the history, as with the mainline historians.
E.g., Josephus, as a part of his extensive overview of Jewish history, finds space to include his personal background and his place in the whole picture, and from this we see how he gained some of his information. But this personal background is only a tiny fraction of the total quantity of text from him, which is vastly greater than that of any Bible writer. Writers of shorter works, like the Gospel accounts, didn't have the luxury to provide all the background we find in most of the lengthy historical works.
Just because the Gospels are shorter and are not part of a voluminous series from the author does not mean they are more fictional or less credible. Even if there are more credibility problems with the Gospel accounts generally, these text problems have to be addressed individually, point by point, not with simplistic pronouncements that they are "fictional" because they don't include biographical information on the author, which is not a requirement for a document to have credibility as a source for the events.
There's nothing about the writer giving background information which makes the source more credible. If your default position is to disbelieve your source about the events it reports, you can just as reasonably disbelieve it on whatever it says about the author's background. The author can just as easily "make up shit" about his own background as about the historical events he reports.
If you want to prove this or that document is more fictional/factual than another, you have to show this by analyzing the content of each text within the documents. You prove nothing by citing the supposed category or "genre" of the document.
Here are some links on what the Gospels have in common with various works from antiquity nowadays considered fictional.
Virtually all the works from antiquity contain some fiction, so the phrase "works from antiquity nowadays considered fictional" is meaningless. All that the Gospels have "in common" with any fictional works is that they contain some fiction, like all ancient literature does. For each case we need to separate the fact from the fiction, in ALL sources and all literature types, and this is not done by declaring it to have something "in common" with a category branded by someone as fictional compared to other categories.
There is no official category containing all the "fictional" literature -- such categorizing or compartmentalizing of items in order to be able to judge certain ones as inferior and to be dismissed or downgraded to lower status is a subjective exercise only, not based on science or objective analysis. Any categorizing done in order to dismiss or denigrate a literature type to a lower class and unworthy as a source is a false and fraudulent use of any legitimate classification of literature types.
The proper approach for determining credibility of a source, such as for historical events, is to analyze each part of the document, its content, considering the date of the source and proximity to the reported events, the details or descriptions in it, its relation to other sources with similar content, what it implies if it is true, or the author's possible motive if it's false, or psychological factor which could explain a discrepancy, and other questions about the particular content and the occasion for it being written.
But it's an improper approach to place the source into a discredited or taboo category in order to simplistically debunk it without legitimately treating it critically on its merit as a possibly credible source.
There is a premise here that anything in the taboo category, or "in common" with it, has to be fiction because it is in that category or "genre" of literature -- which is false. We do not determine if something is fiction by declaring what "genre" it belongs to, or is "in common" with, and then concluding that it must be fiction because certain supposed experts assigned it to that "genre" vs. some other category.
There's nothing significant "in common" with fiction shown in these links, and nothing showing any evidence that the Jesus miracle stories belong in a fictional category. All these listed links follow the methodology of trying to assign the Gospel accounts to an inferior "genre" which is supposed to have only fiction literature in it and then declaring triumphantly, "See, the Gospels must be fiction because they're in this genre of literature reserved for fiction only."
This is not the way to judge the credibility of a source.
What "GENRE" do the Gospels really belong to?
In all the following links, Matthew Ferguson artificially places the Gospel writings into some kind of "fiction" category, based on supposed similarities between them and the literature in the category, and then because of this categorization we're supposed to consider them fiction, on the rationale that they must be if they're in that category, as decreed by certain scholar-experts who have neatly classified all literature types into an all-encompassing universally-recognized categorizing scheme binding upon all.
But the real GENRE of the Gospel accounts has to be something like the following. Or, any document in this "genre" must meet the following description:
• It relates
historical events, alleged to be factual, which are placed into a historical timeframe and into the events of that time, whether or not the document is tainted with some fictional or religious or propaganda elements in the text, which can be treated critically but do not, by being present, negate the reported factual events.
• It was
written near to the time of the events, not several hundred years later. (It becomes marginal if the date of writing is 100-200 years later than the time period of the events -- this time span might still be short enough, but the comparison is weaker when the gap becomes this wide.)
• It
focuses on one important event, or narrow range of events, presented as special, rather than a wide range of events, or general overview of a historical subject matter.
Ferguson basically does not give examples of literature meeting the above legitimate description for comparison to the Gospels. Rather, he puts the Gospels into a false category, placing them along with other literature not of the same category or "genre" described above, but having certain alleged
literary style similarities, unrelated to the important fact-vs.-fiction question, which requires addressing the content or the claims being made in the document, regardless of the writing style. The writing style can be used to communicate fact or fiction, and is thus irrelevant to whether the document has credibility as to claims it makes about the historical events. It's in studying those claims and the proximity of the writer to the events which leads to a determination of the credibility.
This will be shown in subsequent Walls of Text to deal with the listed links, each of which is a still longer Wall of Text mostly just repeating over and over the categorizing methodology of putting the Gospels into an artificial "novelistic" or "fiction" category and then concluding from this categorizing that the miracle stories must be fiction, or that the entire Gospel accounts must be fiction, because of having been assigned to that category.
Whereas the proper methodology is to treat each text separately to judge its credibility, by analyzing its content to determine its likely "fiction" or "fact" status, regardless of anything about the literary style -- recognizing the likelihood that certain parts are fact and other parts fiction, rather than dogmatically pronouncing the whole document as fiction -- out of a rage to condemn it all as hogwash -- or as entirely fact, out of a religious sentiment to make the Bible into an infallible sacred object.
I.e., the text is not made fiction by someone claiming the whole document belongs in the "fiction" category. Rather, this or that text might be put into a fiction category because you first determined that it separately is fiction. So the categorization of it comes only AFTER determining its fact-vs.-fiction status, as a result, not before. So certain parts of this or that Gospel account might go into a fiction category -- i.e., not the entire document, but certain parts of it -- from having first been analyzed and found to be probably fiction. So you find the text in itself to be fact or fiction by analyzing what it says, or the content, or claims in it. Regardless of any category someone claims it belongs to.
If there is such a thing as a "
novelistic" or "
fiction" category, the items in it are placed there because each one was analyzed and determined to be fiction, regardless of its literary style. It's not the literary style which put it into that category, but the determination that it was fiction, i.e., by judging it according to its content, or what is claimed in it, and considering the likelihood of these claims to be fact or fiction.
So a Gospel text might legitimately be put into a "fiction" category after first determining that it's fiction, but not judged to be fiction because of a prejudgment that it belongs in the "fiction" category, or "reads like" fiction, etc., as Ferguson reasons perversely and backwardly, in the following links, repeatedly putting the Gospels into some "novelistic" or "fiction" category first, and then reverse-reasoning from this that they must be fiction because of being in that category.
(This Wall of Text to be continued)