Underseer
Contributor
What I don't like the DCEU and DC in general is how they have their iconic characters stuck in a mold. For example, your contention that Superman is "supposed to" represent depression era hopes. Nonsense. That was almost 80 years ago, it's time to move on. Personally I like Superman more as an anomaly, a god-like being who can do pretty much whatever he wants, only limited by his human upbringing and morality. And more importantly, he's just way too powerful to meaningfully be part of a team-up. Justice League had Supes depowered to the point that he was basically depicted as about as strong and fast as Aquaman, which just doesn't make sense. And to counter Superman, the villains always have to be ridiculous CGI monsters too. Personally I thought the cybertronians in Man of Steel were much better adversaries for him than Doomsday or Steppenwolf, because they weren't just bulkier monsters but something he could've been.
Another thing is, that the iconic and pre-conceived ideas of what the characters are supposed to be is detrimental to character development. I liked the fact that Batfleck was an older, disillusioned batman who basically just killed people now, because it allowed him to improve and become better (though they didn't really go very far with this).
Things do change.
Batman was about people's fears about the rise of organized crime during the Prohibition era.
If you're going to update it, then of course the organized criminals have to be updated to modern fears about organized crime. People aren't afraid of bootleggers anymore. So sure, update the criminals and the references. Nolan obviously changed the mafia/bootleggers into terrorists. Fine.
But if you change it so that it's not about people's fears about organized crime, then why bother telling a Batman story at all? Why not use a different character more appropriate for whatever story you're trying to tell?
And sure, Superman was an immigrant fantasy that was obviously inspired by the sons of Jewish immigrants from a certain era. It would make sense to update Superman to comment on modern problems faced by modern immigrants, but that doesn't mean every DC character needs to be forced into the "dark 'n gritty" mold just because Batman movies made good money. Dark 'n gritty just doesn't work for Superman. Not for me.
If you try to get all hardass and hardcore with Superman, you just end up with that ridiculous 90s-era mullet Superman, and that's a best-case scenario. More likely, you're going to end up the mediocre crap we got in the post-Nolan DCEU.
Each character can go through large changes (and all of them have), but when you stray too far from certain basic characteristics or themes, then why tell that story?
An X-Men story without something to say about bigotry is just another superhero team of musclebound oafs in tights spouting musclebound platitudes while trying to pulverize their enemies. We've already seen that a million times before. You don't read an X-Men story hoping for the same brainless action of other superhero teams, you're hoping it will say something interesting about racism/bigotry, such as when Claremont did God Loves, Man Kills and was brave enough to talk about the role religion played in the Nazi holocaust, American slavery, the American Jim Crow era, etc. FOX made X-Men 2 around two decades later and was too chickenshit to tell the same story, so they ripped out all references to religion and consequently ripped out the thing that made telling that story worthwhile. Sure, it still had something to say about bigotry and still had good action sequences and nice character moments, but it was a truly awful adaptation of God Loves, Man Kills.