Blade Runner 2049 5/10
This is a sequel made by people who, it seems to me, haven't watched the original. The original Blade Runner had two things going for it.
1) It's one of the few film-noir science fiction films, and undoubtedly the best film-noir science fiction film.
2) Ambiguous evil. *spoiler* the bad guys aren't bad guys. In the end the baddest baddy turns out to be the goodest character. A being who truly loves life in all its forms. Which is doubly interesting, because the humanity of the replicants are in question.
I didn't bother to hide this because the film is almost 40 years old
There are many science fiction films that aren't film-noir. Why, oh, why, would you chose to make a sequel of Blade Runner and remove it's singular unique feature... the one feature that makes it unique and stand out? I really would like to know wtf went through the minds of the people conceiving this.
The bad guy in the sequel is basically a Bond villain. Making the protagonist a replicant is interesting. But then you've got to change the humans. Because we will of course perceive them as evil, being basically slavers. And that's all they were. Completely one-dimensional.
Music... Vangelis is still alive. Why not ask him? His music is one of the cool things about the original. Handing the epic score over to another party to make lame Vangelis covers, and to modern-it-up a bit. Not a good idea. The music is awful. It's like they couldn't decide what to do, so they tried doing everything. Good art is about making choices.
Gimmics! There's just loads and loads of gimmics in the sequel. I'm pretty sure that the picture zoom scene scored high in the focus groups because picture zoom scenes was done... over and over and over. It got so bad that I got annoyed.
What's with the blind Wallace? Did it have any point to it? What was with the single tear going down the cheeks of sad replicants? Once or twice works. Not a thirty times at every opportunity. It becomes farcical. Yes, we get it. Replicants have feelings. That was established in the first film. Please move on. What's with murdering people left and right? There was so many pointless corpses in this film. The law didn't seem to mind either. How kind of them.
I also hate the horrendously corrupt police trope. Captain Bryant wasn't corrupt. He was just very focused on the job and willing to go to any length to succeed. Ie, the opposite of corrupt. Which is film-noir!! Film-noir is about existential issues. Existentialism is about feeling alive or constantly trying to flee existential anxiety. By drink or workoholism. It's about the pain of existence. The original established a virtual menu of paths to take. Nope... they ignored all of them for the sequel.
Pointless exposition. Ok, so the future has been cleaned up and there's greenhouses now. Who gives a shit? The original film hardly explained anything. Well.. the distributor forced them to add a retarded speaker voice, but which was removed for the directors cut. Which is the cut I assume that everybody has seen today. The "blackout" that destroyed all the memory files. WTF?!? Such a pointless idea. Slowed down the pace. Added a fair bit of worthless dialogue. And could have been dropped without losing anything.
Wallace buying up a bankrupt Tyrell corporation. Why? What did that add? Here's an idea. After the death of Tyrell his second in command Wallace took over as CEO and go... Would have been the same movie, with much less bullshit. Less talk. Less need to explain anything. Wallaces ninja side-kick was so retarded. Her murdering everybody in her way... yawn. Wallace stabbing the replicant in the stomach. Yawn.
K/Joe's relationship with his computer girlfriend. Ehe... didn't they do this in Her? What exactly did it add... and what was the point? We're supposed to wonder exactly how human the replicants are. If the replicant has a robot girlfriend then what are we learning? I think this was just a cool idea that they wanted to use in a sci-fi movie, and they took it in.... because why not. Still doesn't fit. And the evil corporate assassin killing her. WTF?!? Why not also letting her kick a dog? Or take an ice cream from a child?
Gorgeous exteriors and atmospheric shots. But not film-noir. This draws upon classic science fiction book covers from the 60'ies and 70'ies. Ok, fine. But don't call it a Blade runner movie. Film-noir is a very specific genre. It has rules. Please follow the rules or call it something else.
I also want to point out that the idea that a million bottles of whiskey just left alone in Las Vegas for 20 years just waiting for somebody to move in and start chugging... Not believable. When the Apocalypse comes I'm pretty sure that the first causality of war will be all the alcohol. I also thought that the idea that the orphanage was surrounded by a group of vicious gang of rocket wielding brutes shooting down all who approaches... about as unbelievable. They clearly couldn't decide whether the world is better functioning now than in the original, or everything was worse. Also, Deckard having a dog. So this is a guy who has been on the run from the law for 40 years. Not a lucrative business. How the fuck could he afford a dog? It just breaks the entire setup of the original film. It was after an ecological disaster (of an unknown magnitude) and all large animals were incredibly rare.
The main thing of the original book was just how extremely valuable all life becomes when it is rare. And made into a status object. Deckard in the book has a replicant goat.
As for the story. Loved it. Some really great ideas. I won't spoil anything. Some great twists and mind fuckery. And worth seeing just for that. I just wished they hadn't called it a Blade runner sequel. It really wasn't. This was just another generic science-fiction movie, albeit a decent one. I docked points for claiming it was a Bladerunner movie