White Tiger 7/10
The search continues for the World War 2 tank movie I want. This wasn't it, but unlike the last contestant, at least succeeded as a movie, albeit a strange one. In a sentance: Moby Dick, with tanks.
Synopsis: Russian tanker rescued from burnt out tank with burns on 90% of his body and a case of the dreaded cinematic amnesia. Here however, the amnesia is not used as a cheap plot device for surprises later, but merely as a way of clearing this guys slate. He is now a mystical tank guy, worshipping a tank god (really) and believing his tank talks to him. The eponymous tank, the white tiger, is a german tiger tank with winter camoflage (despite movie being in the summer) which mysteriously appears, fucks the russians up, and then vanishes, over terrain felt to be impassible. The russian response is to soup up a T-34/85, put crazy tank man in charge, and send it out to find the White Tiger. Crazy tank man feels that the Tiger is more than just a tank, but a spiritual force of some kind. There are a couple of indecisive encounters where the tanks fail to destroy one another, and then the war ends. Crazy tank man feels that the Tiger is still out there despite this, waiting for the next war.
Prominently states that this movie was made with funds from the Russian ministry of culture, and its propoganda function is very clear. It rather obviously was an attempt to incorporate the communist period into the wider context of russian history, to sanitize it, etc. In one scene, Marshal Zhukov states "I am a Communist, but I also believe in God and the Devil; this war proves they exist." A rather shocking statement that the good marshal almost certainly never said. What it does is bridge the gap between communism and our currently religiously renewed russia, using the authority of Marshal Zhukov. Also, the communist authorities blandly accept crazy tank man's newfound tank religion, simply dismissing it as crazy and not worth bothering about.
As far as the actual tank combat goes, it is well-done; Obviously not having the same special effects budget as Fury. The director however shot the tanks very lovingly, showing them churning through the mud, belching exhaust with an almost pornographic eye. The climactic combat scene is also the best one (unlike Fury) with the two super-tanks fighting in a deserted russian village, shredding the sturdy log buildings with terrifying ease. My main complaint is that it does not accurately portray combat, as the protagonist tank has only a three man crew, which is particularly puzzling, because the missing two men had important jobs that would have been helpful on a few occasions.
Also, stay for the bizarre closing monologue from Hitler. (!!)